wed 27/08/2025

New Music Reviews

Dark Days, Luminous Nights, Manchester Collective, The White Hotel, Salford review - a sense of Hades

Robert Beale

Did you wonder what all those creative musicians and artists did when they couldn’t perform in public last winter? Some of them started making films.

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Reissue CDs Weekly: Donovan - Hurdy Gurdy Songs

Kieron Tyler

Early last month, Donovan issued his extraordinary new single “I am the Shaman”. Recorded at David Lynch’s Los Angeles studio, it was produced by the polymath director and fellow transcendental meditation devotee. The accompanying video was also directed by Lynch. The powerful “I am the Shaman” haunts. It also confirms that Donovan remains an active force.

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Reissue CDs Weekly: The Loft - Ghost Trains & Country Lanes

Kieron Tyler

“All the best bits of Dylan and the Velvets with a post-punk Eighties edge to it.” That’s how Alan McGee described The Loft to NME in November 1984. Their first single, “Why Does the Rain”, had come out on his Creation label that September. Their next, “Up the Hill and Down the Slope”, arrived in April 1985.

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London Bulgarian Choir, Kings Place review - dark Slavic tales in waves of sound

Peter Culshaw

So, blinking, after too much isolation, into a spring evening for a first live indoor gig for over a year was always going to be exciting, if just for novelty value. But for a gentle breaking-in to live music, the London Bulgarian Choir was an inspiring choice.

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1971, Apple TV+ review - rock'n'roll's golden year?

Tim Cumming

Back in the mid-Eighties, BBC television started broadcasting The Rock'n' Roll Years, one of the first rock music retrospectives. Each half-hour episode focused on a year, with news reports and music intermixed to give a revealing look at the development of rock culture against the context of current affairs.

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Live is Alive!, Brighton Festival 2021 review - local talent makes for snappy return to gig-land

Thomas H Green

The idea live music is back is worth shouting about. Indeed, the BBC News has been doing just that about this gig. In reality, though, while it’s a joy to be out (this is my first major venue concert for a year-and-a-half), Live is Alive is a stepping stone towards a ‘proper’ gig, rather than the real deal. The Brighton Dome is less than half full, the moshpit set with cabaret-style tables, everyone socially distanced.

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theartsdesk on Vinyl 64: Chet Baker, Lava La Rue, Bob Mould, Krust, The Yardbirds, The Fratellis and more

Thomas H Green

Things got out of hand at theartsdesk on Vinyl this month and these reviews run to 10,000 words. That's around a fifth of The Great Gatsby.

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Reissue CDs Weekly: The Outsiders - Count For Something

Kieron Tyler

With the Spiral Scratch EP, Buzzcocks became the first British band of the punk rock era to issue a do-it-yourself seven-inch. Everything was organised and paid for by the band: the recording session, the manufacture of the record and its sleeve, its design. It hit shops in January 1977.

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Crosby, Stills, Nash and Young: Déjà Vu 50th Anniversary Deluxe Edition

Adam Sweeting

With over eight million copies sold in its 50-year lifespan, Déjà Vu was, as Cameron Crowe writes in the booklet accompanying this compendious four-CD edition, “one of the most famous second albums in rock history”.

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Reissue CDs Weekly: Al Stewart - Year Of The Cat

Kieron Tyler

At the end of 1976 Al Stewart talked to Melody Maker, contrasting how he was seen in America and the UK. He was in Los Angeles. “I haven’t played in England for nearly two years,” he told Harvey Kubernik. “The best way of looking at it was that I had Love Chronicles [his second album, issued in 1969], and I was getting a lot of good press.

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