New Music Reviews
Morrissey, Wembley Arena review - reminders of greatnessMonday, 16 March 2020
“I’d like you to know that you can breathe as heavy as you like,” Morrissey declares, somewhat against government advice. “It really doesn’t matter. Read more... |
Reg Meuross and David Massengill, Green Note, Camden review - master craftsmen at workMonday, 16 March 2020
When all around you is chaos and depression, an afternoon spent listening to acoustic music in a small club is as cleansing and restorative as a warm bath. Read more... |
Reissue CDs Weekly: Matt Monro - Stranger In ParadiseSunday, 15 March 2020
Two years before he took on The Beatles, George Martin was working with another artiste who would go on to have success in America. Martin first encountered Matt Monro in 1960 when he signed him to the label he ran, Parlophone. The “Portrait of my Love” single charted later in the year. In summer 1961, “My Kind of Girl” hit America’s single’s charts. His 1965 version of ”Yesterday” had a Martin arrangement.... Read more... |
Elvis Costello and the Imposters, Eventim Apollo review - and the band played onSaturday, 14 March 2020
Elvis Costello is arguably – perhaps unarguably – the most enduring and genuine talent to emerge from the mid-Seventies pub and punk scenes, and his two-hour set on Friday night demonstrated that he’s still a compelling performer, full of energy and passion. Read more... |
Kate Tempest, BBC 6 Music Festival review - more personal than politicalTuesday, 10 March 2020
For those wondering if performance poet Kate Tempest would be upstaged or introduced by either pandemic panic or International Women’s Day – know that a) she’s fearless and b) she practices equality always. As such, there’s no pre-amble, other than a hope that her gig will “resonate into the night and the days to come”. Read more... |
Halsey, SSE Hydro, Glasgow review - a pop star with plenty of personalityMonday, 09 March 2020
There is something enjoyably spikey about Halsey, even when she is adhering to pop convention. At one stage she told the crowd how good they looked, before dryly adding it was praise they wouldn’t have heard before. These are brave words when playing to a Glasgow audience. Read more... |
Reissue CDs Weekly: Cream - Goodbye Tour Live 1968Sunday, 08 March 2020
Through previous archive releases or bootlegs, deep-digging Cream fans will already be familiar with much of what’s on Goodbye Tour – Live 1968. The legitimate 1969 album Goodbye Cream included three tracks from the 19 October 1968 Los Angeles Forum show, heard here in full. Read more... |
Lewis Capaldi, SSE Hydro, Glasgow review - triumphant homecoming from Brit-conquering heroFriday, 06 March 2020
Critical and commercial success haven’t gone to the head of Lewis Capaldi. The 23-year-old opened his first of two sold-out nights at Glasgow’s 14,000-capacity enormodrome – booked when he was yet to release his debut album – with a video montage poking fun of his po-faced reaction to Billie Eilish beating him to Song of the Year at the Grammys in January. Read more... |
Album: Baxter Dury - The Night ChancersFriday, 06 March 2020
“I’m not your fucking friend,” intones Baxter Dury as recent single “I’m Not Your Dog” begins. As opening salvos go, it’s right up there with the best of them, full of sneering hostility and fiery intent. As an introduction, it’s a writer’s hook – pushing us away while drawing us in. Read more... |
Max Raabe, Palast-Orchester, Cadogan Hall review - escapism with ironyThursday, 05 March 2020
Escapism sometimes feels not just useful but necessary. To be carried back, for an evening, to the world of the 1920s/1930s dance band, with foxtrots, pasodobles, crisp starched collars and secco endings, of slick hair and even slicker arrangements, does have a lot to recommend it. Read more... |
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