sun 29/09/2024

New Music Reviews

Slipknot, Arena Birmingham review – Iowa metal-heads tear the roof off

Guy Oddy

Given Slipknot’s studied image as arch misanthropes, with their horror show costumes, aggressive posturing and frightening masks designed to put the wind up Middle America and everyone else for that matter, their imposing singer Corey Taylor spent an unexpected amount of time between songs on the Arena Birmingham’s stage this weekend preaching a gospel of sticking together in these trying times and of encouraging the band’s fans, the Maggots, to watch each other’s backs.

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Reissue CDs Weekly: Game Theory - Across The Barrier Of Sound

Kieron Tyler

Since this column last caught up with the totemic California art-popsters Game Theory, band mainstay Gil Ray passed away. He died in January 2017. He had joined Game Theory as their drummer and backing vocalist in 1985. The new collection Across The Barrier Of Sound: Postscript tracks the Game Theory of 1990 and 1991: a period when Ray was playing guitar and keyboards in the band.

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Bombay Bicycle Club, Cardiff University Students Union review - guitar pop, perfected

Owen Richards

When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night in Cardiff, you had to believe them. Bombay Bicycle Club returned after a six-year absence and were greeted in the Welsh capital like long-awaited saviours.

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Robert Henke CBM 8032, Barbican - a vision of possibilities from 40 years ago

joe Muggs

Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as influential as any guitar they built, and probably more used. However, of course, being just a piece of code, it could never be iconic like a guitar.

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Album: Ruby Turner – Love Was Here

Sebastian Scotney

One can only marvel at the versatility of Ruby Turner. As a vocalist, she spans the whole blues/soul/ R&B spectrum, and has been a major presence on the British scene since the late Seventies.

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Celtic Connections 2020, Glasgow review - fine feast of Scottish music

Miranda Heggie

Celtic Connections, Scotland’s annual festival of folk, world and fusion music, has been brightening up dreich Glasgow Januaries since its inception in 1994. Originally proposed partly as a way to fill a scheduling gap in Glasgow Royal Concert Hall’s post-Christmas period, Celtic Connections is now a major event in Scotland’s cultural calendar.

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Reissue CDs Weekly: The Beloved - Where It Is

Kieron Tyler

Commercially, The Beloved’s peak years kicked off in autumn 1989 when their electro house-pop began its chart run. The band called it a day in 1996 after the X album and its attendant singles.

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Judy Collins, Grand Central Hall, Liverpool review - how sweet the sound, even at 80

Liz Thomson

It’s a good few years since Judy Collins last toured Britain and Ireland, though in the US she’s rarely off the road. Over the last couple of years she has notched up more than 100 concerts (and an album) with Stephen Stills, who famously celebrated their 1960s love affair in the magnificent “Suite: Judy Blue Eyes”.

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Album: Gabrielle Aplin - Dear Happy

Lisa-Marie Ferla

According to Gabrielle Aplin, the delicate piano ballad which closes, and provides the name of, her first album in over four years was written as a letter to herself; and one penned at a particularly turbulent point in her life. “It’s not easy for me, but I know that I’m close,” she sings, as if willing the emotion into being.

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Reissue CDs Weekly: She Came From Liverpool! - Merseyside Girl-Pop 1962-1968

Kieron Tyler

In July 1961, the first issue of the Liverpool music paper Mersey Beat put three items on its front page. One was a surreal article by John Lennon titled Being a Short Diversion on the Dubious Origins of The Beatles.

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