sun 11/05/2025

Film Reviews

The Lion King review - a dazzling photocopy

Nick Hasted

The cynicism of this film’s existence squeezes all the feeling from it. It approaches cherished childhood memories of the original The Lion King (1994) with a view to remonetising them. Technological advances apart, there’s no reason at all for this Lion King.

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Gwen review - gothic horror set in north Wales

Saskia Baron

This gothic yarn set in 1850s Snowdonia stars Maxine Peake as Elen. She’s left alone with two young daughters to manage an isolated farm when her husband goes off to war.

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The Brink review – behind the scenes with Steve Bannon

Demetrios Matheou

Donald Trump’s former strategist, alt-right propagandist and all-round provocateur Steve Bannon comes under the spotlight of a smart, dynamic, behind-closed-doors documentary, as he attempts to turn his brand of far-right populism into a global movement...

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Armstrong review - the man behind the leap

Owen Richards

You wait 50 years for a moon landing documentary, then two come along at once! With Apollo 11 still showing in cinemas, along comes Armstrong. But while the former focuses solely on the lunar mission through archive footage, the latter is the wider story of the man behind those famous first words.

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The Dead Don't Die review - return of the zom-com

Tom Baily

Deadpan humour is given new meaning in Jim Jarmusch’s 13th film, a zombie comedy animated by his typical oddball style. Jarmusch has assembled a grand cast comprising recent collaborators Adam Driver and Bill Murray, long-term musician pals Tom Waits, Iggy Pop and RZA, and a swathe of newbies that includes Selena Gomez...

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Annabelle Comes Home review - devil doll plays nice

Nick Hasted

Annabelle, the demonically-possessed doll now making its third appearance, makes its intentions clear pretty early here.

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Vita and Virginia review - more Gloomsbury than Bloomsbury

Markie Robson-Scott

“You do like to have your cake and eat it, Vity. So many cakes, so many,” laments Harold Nicholson (Rupert Penry-Jones) to his wife Vita Sackville-West (Gemma Arterton) as she embarks on an affair with Virginia Woolf (Elizabeth Debicki).

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Midsommar review - hell is other people

Joseph Walsh

Who would have thought that Ari Aster could top the satanic delights of Hereditary? Yet with Midsommar, a psychedelic twist on folk horror, he has. Aster abandons the supernatural to show that it’s not things that go bump in the night that scare us, it’s other people.

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Never Look Away review - the healing potential of art

mark Kidel

Florian Henckel von Donnersmarck, who made his reputation as a leading German film-maker with The Lives of Others (2006), told the New Yorker that his latest film sprang out of a desire to explore the relationship between making art and healing.

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Spiderman: Far from Home review - a pleasant, if clichéd, tour

Saskia Baron

There’s no rest for the webbed wonder in Spiderman: Far from Home. It’s just a few months since Marvel wiped out Iron Man in Avengers: Endgame and his protégé Peter Parker is being hounded to fill Tony Stark’s place.

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Support the Girls review - working class dramedy misses edge

Saskia Baron

A rambling portrait of 24 hours in the life of Double Whammies, an American sports bar where the waitresses entertain their TV-watching patrons by dressing in skimpy tops and tiny shorts. Apparently this is categorised as a ‘breastaurant’ (my spell-checker reels at this portmanteau, but there are several well-established chains in the US).

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In Fabric review - hell is a demonic dress

Graham Fuller

Red is the colour, mayhem is the name – along with pestilence and greed.

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Yesterday review - Beatlemania in a parallel universe

Adam Sweeting

The price of fame and the value of artistic truth are among the topics probed in Danny Boyle’s irresistible comedy, a beguiling magical mystery tour of an upside-down world where The Beatles suddenly never existed.

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Apollo 11 review - an awe-inspiring leap

Tom Baily

How could this story be told again? Director Todd Douglas Miller has found a way: strip away narrative and give the audience the purity of original record. The result is a gripping non-fiction experience that sits in a unique space between documentary, art, drama and dream.

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Mari review - bittersweet drama with flair

Owen Richards

Mari is one part kitchen sink drama, one part dance performance, bringing a refreshing take on bereavement and family.

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Toy Story 4 review - fabulous return to the big screen

Saskia Baron

Making it to the fourth film in a series and maintaining quality is a feat pulled off by very few franchises, (see last week’s dreary Men in Black: International). But Pixar has done it with Toy Story 4.

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