tue 04/03/2025

Film Reviews

The Dead Don't Die review - return of the zom-com

Tom Baily

Deadpan humour is given new meaning in Jim Jarmusch’s 13th film, a zombie comedy animated by his typical oddball style. Jarmusch has assembled a grand cast comprising recent collaborators Adam Driver and Bill Murray, long-term musician pals Tom Waits, Iggy Pop and RZA, and a swathe of newbies that includes Selena Gomez...

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Annabelle Comes Home review - devil doll plays nice

Nick Hasted

Annabelle, the demonically-possessed doll now making its third appearance, makes its intentions clear pretty early here.

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Vita and Virginia review - more Gloomsbury than Bloomsbury

Markie Robson-Scott

“You do like to have your cake and eat it, Vity. So many cakes, so many,” laments Harold Nicholson (Rupert Penry-Jones) to his wife Vita Sackville-West (Gemma Arterton) as she embarks on an affair with Virginia Woolf (Elizabeth Debicki).

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Midsommar review - hell is other people

Joseph Walsh

Who would have thought that Ari Aster could top the satanic delights of Hereditary? Yet with Midsommar, a psychedelic twist on folk horror, he has. Aster abandons the supernatural to show that it’s not things that go bump in the night that scare us, it’s other people.

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Never Look Away review - the healing potential of art

mark Kidel

Florian Henckel von Donnersmarck, who made his reputation as a leading German film-maker with The Lives of Others (2006), told the New Yorker that his latest film sprang out of a desire to explore the relationship between making art and healing.

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Spiderman: Far from Home review - a pleasant, if clichéd, tour

Saskia Baron

There’s no rest for the webbed wonder in Spiderman: Far from Home. It’s just a few months since Marvel wiped out Iron Man in Avengers: Endgame and his protégé Peter Parker is being hounded to fill Tony Stark’s place.

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Support the Girls review - working class dramedy misses edge

Saskia Baron

A rambling portrait of 24 hours in the life of Double Whammies, an American sports bar where the waitresses entertain their TV-watching patrons by dressing in skimpy tops and tiny shorts. Apparently this is categorised as a ‘breastaurant’ (my spell-checker reels at this portmanteau, but there are several well-established chains in the US).

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In Fabric review - hell is a demonic dress

Graham Fuller

Red is the colour, mayhem is the name – along with pestilence and greed.

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Yesterday review - Beatlemania in a parallel universe

Adam Sweeting

The price of fame and the value of artistic truth are among the topics probed in Danny Boyle’s irresistible comedy, a beguiling magical mystery tour of an upside-down world where The Beatles suddenly never existed.

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Apollo 11 review - an awe-inspiring leap

Tom Baily

How could this story be told again? Director Todd Douglas Miller has found a way: strip away narrative and give the audience the purity of original record. The result is a gripping non-fiction experience that sits in a unique space between documentary, art, drama and dream.

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Mari review - bittersweet drama with flair

Owen Richards

Mari is one part kitchen sink drama, one part dance performance, bringing a refreshing take on bereavement and family.

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Toy Story 4 review - fabulous return to the big screen

Saskia Baron

Making it to the fourth film in a series and maintaining quality is a feat pulled off by very few franchises, (see last week’s dreary Men in Black: International). But Pixar has done it with Toy Story 4.

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The Captor review - Stockholm syndrome silliness

Nick Hasted

The botched 1973 hostage incident which inspired the term Stockholm syndrome comes to flatly comic life here, the strange psychological phenomenon of captives falling for their captors over time being reduced to an absurd caper.

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Diego Maradona review - entertaining but skin-deep

Joseph Walsh

There's something unsatisfying about the fact that Asif Kapadia's new documentary on the controversial 1980s sporting legend Diego Maradona has a two-word title.

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Men in Black: International review - lacklustre sequel missing original stars

Saskia Baron

The best joke in Men in Black: International happens before the film starts, when the iconic Columbia Pictures lady in a toga whips out a pair of familiar dark glasses. It’s a nifty, witty gag that doesn’t outstay its welcome, which is more than can be said for the feature that follows. The original stars are absent and there’s an absence too of the screwball humour that made the first film, back in 1997 such a hit. 

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Sometimes Always Never review - small but perfectly crafted

Adam Sweeting

A starring role for Scrabble is one of the things that sets this small-scale but deceptively affecting film apart.

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