Film Reviews
SaltWednesday, 18 August 2010
With no Bonds or Bournes on the immediate horizon, no more Bauer with the end of 24, and the future of the Mission: Impossible series reportedly hanging in the balance, there appears to be an opening for a new secret agent franchise. It remains to be seen if Salt will plug the gap, though I for one will be more than happy if it does. Read more... |
The ExpendablesMonday, 16 August 2010
“You guys aren’t gonna start sucking each other’s dicks, are you?” Bruce Willis asks Sylvester Stallone and Arnold Schwarzenegger - an image any gay porn producer would triple the trio’s fees to see happen. It’s typical of a tone which teeters between knowing and not caring, in writer-director Stallone’s all-star homage to his Eighties action lunkhead prime. Read more... |
PianomaniaMonday, 16 August 2010
Nobody can remember seeing a film about a piano tuner before. Happily, Pianomania isn’t merely unique; it’s a riveting documentary into the bargain. It takes as its subject the micro-detailed and nit-pickingly demanding routine of Stefan Knüpfer, Master Tuner for that Rolls-Royce of the piano industry, Steinway & Sons. Among Knüpfer’s celebrated clients are such titans of the keyboard as Lang Lang, Alfred Brendel, Till Fellner and Julius Drake, all of whom appear in the film’s... Read more... |
The Secret in Their EyesThursday, 12 August 2010
This is one of those films it’s impossible to imagine being fashioned by an Anglo-Saxon sensibility. Part legal procedural, part autumnal romance, The Secrets in Their Eyes is an intriguing weave of tones and colours. It flirts at once with melodrama and slapstick while never finally deviating from a commitment to intense seriousness and emotional intelligence. No wonder it won this year’s Academy Award for Best Foreign Film. Read more... |
Five Easy PiecesWednesday, 11 August 2010
Five Easy Pieces is the nominal sibling to Easy Rider, which put Jack Nicholson a step from stardom in 1969. But Pieces, this 40th-anniversary reissue reminds you, was a very different film. The soundtrack is Patsy Cline, not Steppenwolf, and we first see Nicholson working in a hard hat, the music and garb of pro-‘Nam hippie-bashers in 1970. But the cultural action is mostly in Nicholson himself, and the simmering storm of dissatisfaction and high intelligence in... Read more... |
Benda Bilili!Friday, 06 August 2010
I must confess that when I first heard about Staff Benda Bilili - a Congolese band partly made up of paraplegics – I felt a little uneasy. The last thing that one wants as a (hopefully) trusted critic is to feel compromised by an obligation to give a positive review, or feel guilty about lessening their chances of bettering their circumstances with a bad review. Yes, the vanity and solipsism of your reviewer has no bounds! Read more... |
Knight and DayFriday, 06 August 2010
Director James Mangold says he "set out to create a world that feels completely real to the audience, yet is also deeply comic". Somehow he ended up with Knight and Day, which feels completely unreal and is modestly amusing in places. Tom Cruise, playing CIA super-agent Roy Miller, is so "real" that he can survive lethal assaults by swarms of assassins, plummet unscathed from high windows, swim underwater for miles and leap off flyovers onto speeding vehicles. Read more... |
Coco Chanel & Igor StravinskyMonday, 02 August 2010
She glides on the arm of a tail-coated swain into an elegant Belle Epoque drawing room. Music swirls, eyes swivel. And no wonder. Her thin black dress hugs a gamine frame, a look of masculine confidence rests on her face. Gabrielle Bonheur Chanel, better known to all and sundry as Coco, is making an entrance. Another one. Read more... |
Separado!/ Gruff Rhys, BFI SouthbankSunday, 01 August 2010
Patagonia’s Welshness was a nagging issue for Gruff Rhys, mainman of Welsh psych-nauts Super Furry Animals. His distant cousin, the folk singer René Griffiths, was born in the desert-filled southern reaches of Argentina, but visited Wales and appeared there on TV in the mid-Seventies. Remembering those appearances, Rhys decided to visit Patagonia to search for Griffiths amongst the region’s Welsh-speaking community. Read more... |
Film: Beautiful KateFriday, 30 July 2010
Finding a cheerful Australian film these days is quite a challenge. Having discovered the particular affinity between Australia’s parched and expansive landscape and the genres of horror and misery memoir, the nation’s filmmakers have set about exploiting it with an enthusiasm that reliably finds a pile of corpses – physical or emotional – bloodily heaped by the time the closing credits roll. Beautiful Kate is no exception, but if you can brave its confronting gaze you’ll find one... Read more... |
Down TerraceThursday, 29 July 2010
Tired of the slick, pastiche world of the post-Lock, Stock... British crime movie? Then Down Terrace may be the address for you. Director Ben Wheatley’s micro-budget, naturalistic debut details the paranoid decline of a drug-dealing family in the back end of Brighton. They’re the Royle family with access to hand guns - a deadly and funny combination. Read more... |
The A-TeamMonday, 26 July 2010
As played by the late George Peppard in the original A-Team TV series, Colonel John “Hannibal” Smith was wont to say he loved it when a plan came together. Alas, whatever plan that might have justified this botched retread of the Eighties small-screen favourite soon gets lost amid a wearying welter of gunfire, pyrotechnics and not-so-special effects, all of which appear haphazardly hurled on screen with all the care an incontinent pigeon might deploy while despoiling parked cars. Read more... |
GainsbourgSunday, 25 July 2010
Serge Gainsbourg, like Charles Bukowski, is one of those blokes who should be banned as a role model for impressionable young men, who may start imagining they too can behave like disgusting old soaks and pull any gorgeous bird who comes into their orbit. Note to Gainsbourg wannabes - this only works if you're a creative genius as well. Read more... |
BaarìaFriday, 23 July 2010
Giuseppe Tornatore is known overwhelmingly for one international hit. There have been sundry other films from him in the 21 years since Cinema Paradiso won the Best Foreign Language Oscar, but none which have sold such a seductive vision of Italian village life. Though damned to backwardness, stymied by introspection, Tornatore’s evocation of Sicily in 1950s was awash with vitality and colour. In Baarìa he finally goes home. Read more... |
SpliceThursday, 22 July 2010
Although it has taken over a decade to come to fruition, Splice still feels like a timely piece of work with its macabre and gruesome take on notions of genetic mutation for commercial gain and the god-like delusions of the scientific community. In addition, it spits out poisonous barbs in the direction of dysfunctional parents who visit their own inadequacies on their hapless offspring. Read more... |
The ReboundTuesday, 20 July 2010
Let me lay a friendly fiver that many critics will rubbish this film, for the following reasons. Read more... |
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