Film Features
The Curse of Cruise: When Co-Stars VanishTuesday, 24 August 2010
You’ve heard of the Curse of Frankenstein. You know all about the Curse of Hello! But you may not be aware of the deadliest hex of them all. It goes by the name of the Curse of Cruise and, you just never know, it may be about to strike again. Film-goers have nothing to fear personally, not even if they find themselves watching potent soporifics like Interview with the Vampire or Eyes Wide Shut. Read more...
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theartsdesk in Locarno: I'm Watchin' in the RainSunday, 15 August 2010
It had to happen. Until now, I've always resisted. But last Thursday, I had, finally, to tear open the plastic container to get to the protection inside. A nice man from Screen International gave me his before leaving - he'd have no use for it. He added that he wouldn't have handed it over had it been stamped with the festival rubric; you know, something that would make it a keepsake. Read more... |
theartsdesk in Los Angeles: Dennis Hopper (RIP) On ShowSunday, 25 July 2010
While most will be familiar with him as an actor, and some will know him also as a photographer and painter, few will be aware of the full extent of the late Dennis Hopper’s artistic practice. Read more... |
theartsdesk in Fårö: Bergman's Swedish Dream IslandSunday, 11 July 2010
Fifty years ago this April, a city-loving film-maker already internationally famous for such masterpieces as The Seventh Seal and Wild Strawberries took the ferry from Gotland to the windswept, still snowy island of Fårö (the nearest we can get in terms of pronounciation might be "Four-er"). Read more... |
theartsdesk in Los Angeles: Twilight in Tent CitySunday, 27 June 2010
The Los Angeles Film Festival would seem to have everything going for it. There's the perfect Californian weather, the vast number of stars who live and work in the city, and this year there’s been a glamorous new venue in downtown Los Angeles. The 16th festival has also brought in an ambitious new artistic director, former Newsweek film critic David Ansen, who hopes to unite high and low, screening both crowd-pleasers with major Hollywood talent and small, finely crafted foreign... Read more... |
Interview: Martin Amis on 'The Whole Book-To-Film Department'Friday, 21 May 2010
Martin Amis always had his own idea of who should play John Self, the anti-heroic slob narrator of Money. "The only regret I have in the whole book-to-film department,” he told me, “is that Gary Oldman never played John Self. We had a meeting with Gary and he was so unbelievably good, and so instinctively got the character and made me laugh so violently when he did it, that I thought that was a great shame.” Oldman was even prepared to go the extra mile. Read more... |
The Cannes Film Festival: Stormy WeatherTuesday, 18 May 2010
This slot is always one of the trickiest to fill satisfactorily, though last year’s choice – Pixar’s delightful animation Up – was inspired. Coming on the same day as the film’s release date, alas, Robin’s rain-lashed, Ridley-less premiere felt like a non-event from the get-go, putting the festival on the back foot before it had even begun. Read more... |
Vincere Special 2: Interview with Filippo TimiThursday, 13 May 2010
Filippo Timi plays the young Mussolini of Marco Bellocchio's Vincere as a glowering, virile force of nature. Watching this and his other recent films, it was hard not to think of the Brando of the early 1950s. Timi, too, combines bullish masculine power and delicate sensitivity - he's combustible and magnetic. I was still more... Read more... |
Unorthodox Jews: The Secret Worlds of Holy Rollers and Eyes Wide OpenFriday, 07 May 2010
Jews may or may not have built the pyramids, but we know for certain that they built Hollywood. The names of the men who founded MGM, 20th Century Fox and Paramount speak for themselves: Samuel Goldwyn, Louis B Mayer, Marcus Loew, Joseph Schenck, William Goetz, Adolph Zukor et al. It's no wonder, then, that Hollywood history overflows with Jewish filmmakers, actors and producers. Read more... |
Interview: Barrie Keeffe on Sus, The Long Good Friday and London's Changing East EndWednesday, 21 April 2010
Within the space of a single year - 1979 - Barrie Keeffe wrote two scripts which together summed up the very essence of the East End on the eve of Thatcherism. The first, which barely needs introduction, was the now-classic The Long Good Friday. The other was Sus, an explosive play about a black man detained by two racist police officers on the night of the General Election. Read more... |
Interview: Alex Hogg of Minima on scoring The Cabinet of Dr CaligariThursday, 18 March 2010
Before Shutter Island - long, long before - there was The Cabinet of Dr Caligari. First released in 1920, Robert Wiene's hallucinogenic film descends, like that of Martin Scorsese who cites it as a major influence, into the creepy shadowlands between sanity and madness. This spring Caligari goes on national tour (details below) spruced up with a musical accompaniment by Minima, a four-strong rock group which specialises in supplying the sound for silents. The group... Read more... |
London Australian Film Festival: Beyond the Cultural CringeMonday, 15 March 2010
Business is booming for Australia's cinemas. 2008 was a record-breaking year at the box office, and international festivals run annually in the major cities. Yet, despite successes as diverse as Lantana, Wolf Creek, Muriel's Wedding and Priscilla Queen of the Desert, just 33 home-grown films were released last year – fewer even than in 1911. Read more... |
theartsdesk in Newcastle: The AV FestivalSunday, 14 March 2010
At seven o'clock on a Friday night, with the first spring twilight of the year as a backdrop, Newcastle’s Civic Centre reverberated to a new composition for its Carillon bells. Mingling eerily with birdsong, it marked a rather different start to the weekend from the hoards of hen nights getting ready for a night on the Toon. This was the opening night of AV, the biennial international festival of electronic arts. Read more... |
Oscars 2010: A Night at the Academy AwardsMonday, 08 March 2010
It's appropriate, given that the Oscars remain the mother of all awards shows, that Sunday night's ceremony made a point of honouring both a mother from hell (Mo'Nique in Precious) and another from Inspirational Movie heaven (Sandra Bullock in The Blind Side). Read more... |
Sergei Paradjanov: Retrospective for a VisionaryMonday, 01 March 2010
Soviet-era film director Sergei Paradjanov is a figure whose complicated biography has often overshadowed his innovative and distinctive cinematic style. The first full UK retrospective of his work at the British Film Institute on London's South Bank, marking the 20th anniversary of the director’s death, gives a chance to reassess the paradoxes of his heritage, and delight in a character whose rebellious passion for life and for artistic beauty brought him through some of the worst trials... Read more... |
theartsdesk Masterclass: Jean-Pierre Jeunet on MicmacsThursday, 25 February 2010
"I like directors whose style you recognise right away: Tim Burton, Terry Gilliam, Emir Kusturica, David Lynch," asserts Jean-Pierre Jeunet, a statement which should surprise none of his followers. Fabled for its attention to minutiae, his work is honed down to the last millimetre, from the immaculately choreographed sight gags to the hyperstylised sets. Delicatessen and The City of Lost Children (both co-directed with Marc Caro), Amelie, A Very Long Engagement... Read more... |
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