Sheila Johnston
Bio
Sheila worked on the launch of the Independent, where she was a writer-editor and film critic for 10 years. She has written on cinema for the Daily Telegraph and Sunday Telegraph, The Times, Sight and Sound, Guardian, Libération, Interview and New York Daily News, among other places.
Articles By Sheila Johnston
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Flow review - come the apocalypse, cue the animals
I so wanted to like Flow. I’d heard good things from usually reliable critic friends who’d seen it already and told me it had...
Adolescence, Netflix review - Stephen Graham battles the pha...
A dictionary definition of adolescence is “the transitional phase of growth and development between childhood and adulthood”, but in this four-...
theartsdesk Q&A: Indian star Radhika Apte on 'Sist...
Radhika Apte has been acclaimed for her ebullient performance as a reluctant bride in Sister Midnight since...
Jazz at Lincoln Center Orchestra, Marsalis, LSO, Pappano, Ba...
Few symphonies lasting over an hour hold the attention (Mahler’s can; even Messiaen’s Turangalîla feels two movements too...
Uproar, Rafferty, Royal Welsh College, Cardiff review - colo...
There’s a lot to be said for the planning that clearly went into this concert by the Cardiff-based new music ensemble, Uproar....
Attacca Quartet, Kings Place review - bridging the centuries...
Memorably described by Gramophone magazine as the “new kids on the classical block…with lavish pocket money”, Apple’s London-based label...
Music Reissues Weekly: Norma Tanega - I Don't Think It...
After scoring a hit in 1966 with the distinctive folk-pop of her jazz-inclined debut single "Walkin' my Cat Named Dog," US singer-songwriter Norma...
Manchester Collective, RNCM review - exploring new territory
Manchester Collective, now very much a part of the establishment world of new music, are still enlarging their territory. For this set, performed...