thu 02/05/2024

Film Features

theartsdesk Christmas Quiz - Answers

theartsdesk

Here are the answers to our monster Christmas arts quiz of 12 dozen questions on the year past, as seen by theartsdesk writers. There are clues in all the questions in the main quiz page. If you don't want to know the answers just yet till you've grappled with them, close this page now.

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Christmas on theartsdesk: Brainteasers, Bran Tub, and the Best of 2011

theartsdesk

Any day now most of us will be hunkering down and for the most part drawing a curtain about the world outside. Before that happens, we’d like to tell you about theartsdesk’s plans for Christmas and the New Year.

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DVDs for Christmas: Film and TV

theartsdesk

Over the year we have reviewed many a new film and television drama in theartsdesk's Disc of the Day slot. As our series of DVD recommendations comes round to the movies, we have chosen to concentrate not on individual titles but box sets. For completists we suggest everything from Harry Potter to Ken Loach, The Avengers to Tarkovsky. If you want more Chaplin or Eisenstein in your life, here, too, is a good place to start.

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theartsdesk in Berlin: The European Film Awards 2011

Nick Hasted

Melancholia and The King’s Speech were the big winners at the European Film Awards in Berlin last night. Last year, Roman Polanski accepted The Ghost’s numerous awards in Tallinn by Skype, self-exiled by his deeds (and the fear of being clapped in irons by the US if he travelled). It was Lars von Trier’s words which kept him away as Melancholia won Best Film.

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theartsdesk at the 2011 London Film Festival

theartsdesk

It may not have quite the glam tackiness of Cannes in May, nor the pizzazz of Venice in September, nor the chin-stroking seriousness of the Berlinale in February, but each October the BFI London Film Festival takes its own place on the European film festival circuit. theartsdesk has been attending the 55th festival in quadruplicate.

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The music man who kept them dogies rollin'

Ismene Brown

On Thursday the London Symphony Orchestra plays a night of epic movie music by the man who gave America’s cowboy heroes their most stirring tunes. Dimitri Tiomkin was one of Hollywood’s film-score giants, John Wayne’s choice as composer for The Alamo, Wayne’s magnum opus, and Tiomkin's was the music that urged Gary Cooper and Clint Eastwood to ride out in iconic glory in landmark adventures such as High Noon or Rawhide.

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Interview: Tintin, The Reluctant Movie Star

Jasper Rees

A reporter can be certain of two things: death, and the ephemerality of journalism. Written yesterday, published today, an article will usually be forgotten by tomorrow. The one exception who proves the rule hasn't been heard of in years, but his image adorns T-shirts and watchfaces, dangles from keyrings and greets people on birthday cards. Yes, the only guarantee of wholesale and everlasting fame is in merchandise, and it is a fate not reserved for many of us in the profession.

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West Side Story 50 Years On: The Movie

Matt Wolf

When West Side Story won 10 Academy Awards, that was back in a Hollywood era during which movie musicals regularly garnered such acclaim.

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Opinion: Why can't the British make urban movies?

Sam Price

A spectre is haunting Britain - the spectre of a film called Big Fat Gypsy Gangster. Poised for release in just over a week’s time, this Ricky Grover vanity project is described generously as “Monty Python meets Snatch”, chronicling the life and times of Bulla, apparently “Britain’s hardest man”, as he roams over London with a shotgun, blowing the heads off his...

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theartsdesk at the Venice Film Festival: McQueen, Lanthimos, Arnold

Demetrios Matheou

This year’s Venice Film Festival has been awash with great directors from what one might call the old guard: David Cronenberg, Roman Polanski, William Friedkin, Aleksander Sokurov, Philippe Garrel. But when the jury presents its prizes tonight, I hope that it honours some of the new, young film-makers who have been the ones to set this festival alight.

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theartsdesk in Durrës: Albania after Norman Wisdom

Sheila Johnston 2011 Durrës Film Festival poster

Once upon a time - and for a very long time, at that, under its hard-line Marxist leader, Enva Hoxha - world cinema was represented in Albania by Norman Wisdom. Today, 26 years after Hoxha's death and 21 years after the fall of Communism there, Durrës, the country's second largest city, has just hosted an international film festival whose guests included Francis Ford Coppola...

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theartsdesk at the 68th Venice Film Festival: Clooney, Polanski, Madonna

Demetrios Matheou

I wonder if it’s possible for a film festival to kick off with a bigger bang. For your first three competition films to be directed by one of the world’s biggest movie stars, one of its most celebrated (and controversial) auteurs and arguably the world’s most famous woman, is no mean feat. And two of these films are pretty damn good.

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Violence in the Streets: On making The Interrupters

Alex Kotlowitz

Twenty-four years ago, I found myself hanging out virtually every day in the Henry Horner Homes, a Chicago housing project on the city's hardscrabble West Side. I had begun to immerse myself in the lives of two young brothers, Lafeyette and Pharoah Rivers, in an effort to understand what it means to be growing up poor in the world's wealthiest nation. Mother Teresa had visited this neighbourhood just a few years earlier, and what so struck her was not the poverty of the pocketbook - she had...

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theartsdesk in Locarno: Swiss rules, Swiss rain

james Woodall Lighting up a dark sky: `Cowboys and Aliens' hits Locarno's Piazza Grande

Think what you will about Switzerland and the Swiss – calm, ordered country, treasured environment, cautious, democratically precise people – but look behind the scenes and things can seem quite scary. Vol spécial (Special Flight), by Swiss-French-speaking Fernand Melgar, is one of the most intense documentaries I have ever seen. Depicting asylum seekers in a detention centre, it is a vibrant portrait of human (entirely male) endeavour warping into despair under an unkind but, as...

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theartsdesk at the Sarajevo Film Festival

Demetrios Matheou

There is an interesting tension at the Sarajevo Film Festival which, though this was my first time, I suspect exists as a matter of course. And this is a tension between the spirit of the people I meet here – ebullient, good-humoured and indefatigable (they really know how to party) – and the films themselves, which suggest a country and a region still reeling from the turmoil of its recent past. It’s a strange experience, then, poised between light and gloom.

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theartsdesk in Odessa: Monty Python on the Black Sea

Tom Birchenough

Odessa must be one of Central Europe’s more distinctive cities, characterised by a profoundly cosmopolitan ethnic mix over more than two centuries. It was one of the most international cities in the Tsarist empire, while in Soviet times it honed that identity, based not least on the size of its Jewish population, and the brand of humour – accompanied by an almost distinct language – that resulted.

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