Ronald Bergan
Articles By Ronald Bergan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Vermiglio review - a simple tale, simply but beautifully tol...
Another new release opens with the sounds of people in bed playing over the credits, but these are not Babygirl’s sighs of a...
Simón Bolívar Symphony Orchestra, Dudamel, Barbican review -...
Gustavo Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela took the Barbican by storm last night with a thrilling account of Mahler’s...
Jenůfa, Royal Opera review - electrifying details undermined...
This was always going to be Jakub Hrůša’s night, his first at the...
German National Orchestra, Marshall, Cadogan Hall review - s...
This concert was an effusion of pure joy. Billed as the German National Orchestra, the Bundesjugendorchester (Federal Youth Orchestra), all of...
Chris McCausland, Winchester Theatre Royal review - Strictly...
By all accounts Chris McCausland had to be persuaded to take part in the most recent series of Strictly Come Dancing, which he won with...
Album: The Weather Station - Humanhood
Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they...
Oliver!, Gielgud Theatre review - Lionel Bart's 1960 ma...
Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes Oliver!, Lionel...
What's the Matter with Tony Slattery?, BBC Two review -...
In the late Eighties and Nineties, Tony Slattery became one of the most ubiquitous faces on television, appearing regularly on Whose Line Is...
Album: Ethel Cain - Perverts
Ethel Cain’s Perverts is a dark and experimental follow-up to her debut album, Preacher’s Daughter. It takes listeners on a...