Visual Arts Reviews
Alice Anderson, Wellcome CollectionFriday, 24 July 2015
A flight of golden stairs gleams seductively under the spot lights; free of architectural constraints, it serves no practical purpose other than to encourage the mind to wander and perhaps to imagine it as the stairway to heaven. The beauty, simplicity and purity of the structure promise a trouble free ascent to astral spheres; one can almost hear the strings of angelic harps twanging celestial harmonies up above. Read more... |
Out of Chaos: Ben Uri - 100 Years in London, Somerset HouseThursday, 16 July 2015
The exhibition Out of Chaos is a powerful dose of specific human experience, here presented almost exclusively in the form of portraits and group scenes. The selection comes almost entirely from the more than 1,300 works of art owned by Ben Uri Gallery, whose centenary commemoration this is; the gallery was founded in 1915, primarily to explore the work of Jewish artists in Britain. Read more... |
Joseph Cornell: Wanderlust, Royal AcademySunday, 12 July 2015
Whimsical, twee, sentimental. For those who love Joseph Cornell’s boxes, it’s hard to imagine that there are those who just don’t. “What? You mean you don’t like Cornell’s boxes because you think they’re whimsical? Twee? Sentimental?” Read more... |
Linneaus Tripe, Victoria & Albert MuseumThursday, 02 July 2015
Linnaeus Tripe? Shades of a minor character in Dickens or Trollope, but in fact the resoundingly named Tripe (1822-1902) was an army officer and photographer, the sixth son and ninth child of a professional middle-class family from Devonport, his father a surgeon in the Royal Navy. He joined, as so many of his background did – younger son, but of a certain social status – the East India Company’s army (the 12th Madras Native Infantry) aged only 17, the third Tripe son to do so. Read more... |
Imagine... Jeff Koons: Diary of a Seducer, BBC OneWednesday, 01 July 2015
Feelings. Whoa whoa whoa feeeelings. Just like that Morris Albert hit of the Seventies for star-crossed lovers everywhere, I lost count of the number of times I heard that word in this Alan Yentob meets Jeff Koons love-in. Or, more precisely, “feeling” singular, since Koons, one of the most bankable artists in the world, was talking about the “feeeeling” aroused when you looked at one of his art works. Read more... |
Richard Dadd: The Art of Bedlam, Watts GalleryFriday, 26 June 2015
The Watts Gallery in rural Surrey is a very genteel setting for a show by a figure who for most of his life was denied polite society. Richard Dadd spent 42 years in mental hospitals, first at Bethlem, then Broadmoor. As one can infer, he was criminally insane, and despite a disarming interest in fairies, his life and work cannot be spun into a happy-ever-after narrative. Read more... |
Barbara Hepworth, Tate BritainWednesday, 24 June 2015
One of the earliest surviving sculptures by Barbara Hepworth is a toad made from a khaki-coloured, translucent stone; you can imagine it cool and heavy in your hand, not so very different from the animal itself, in fact. Made nearly 30 years later, the monumental sculptures carved from African guarea wood are almost unbearably touchable, each one with its dark, glossy exterior cracked open to reveal an inside as creamy as a conker. Read more... |
Imagine... Frank Gehry: The Architect Says Why Can't I?, BBC OneWednesday, 24 June 2015
The hook for Alan Yentob's portrait of the 86-year-old architect Frank Gehry was the initiation and progress of an enormous new building in a rough portside area of Sydney, the Dr Chau Chak Wing Building for the business school of the University of Technology. It opened after nearly two years of construction, on time and on budget, last autumn. To commission it, the dean of the school, Ron Green, simply rang Gehry up, and Gehry replied with just four words: "I’m up for it." Read more... |
Philip Guston, Timothy Taylor GallerySunday, 21 June 2015
Light. Light banishes the shadows where monsters lurk and where ghosts rattle their chains. “Give me some light, away!” cries the usurping king in Hamlet as his murderous deed is exposed by the trickery of art. What guilt plagues and seizes his conscience, and yet Claudius, conflicted, cannot pray. He must, therefore, remain a captive among the ghosts and the monsters where no light may fall. Read more... |
Bridget Riley: The Curve Paintings 1961-2014, De La Warr PavilionWednesday, 17 June 2015
If they remember the 1960s at all, the ageing population of Bexhill-on-Sea will remember Bridget Riley for her black and white experiments in perception. The iconic results of this line of enquiry can still result in a “happening” for the eyeballs. And that’s exactly what you get from the earliest paintings in this show: uniform stripes of black and white that won’t for a moment stay still. Read more... |
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