Mark Sheerin
Articles By Mark Sheerin
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Backstroke, Donmar Warehouse review - a complex journey thro...
The theatre director Anna Mackmin has...
Donald Rodney: Visceral Canker, Whitechapel Gallery review -...
Donald Rodney’s most moving work is a photograph titled In the House of My Father, 1997 (main picture). Nestling in the...
Album: Heather Nova - Breath and Air
With her 13th studio album, Heather Nova delivers what you might expect from one of the 90s' most distinctive alternative voices – though longtime...
Bach's Mass in B minor, The English Concert, Bezuidenho...
If not quite his last will and testament, the work now known as Bach’s Mass in B Minor represents a definitive show-reel or sample-book...
Light of Passage, Royal Ballet review - Crystal Pite’s cosmi...
“Cry sorrow, sorrow, but let the good prevail”. The refrain of Aeschylus’s chorus near the start of the Oresteia is alive and honoured in...
Otherland, Almeida Theatre review - a vivid, beautifully wri...
“Who’d be a woman?... Who in their right mind would choose all that?” The question comes towards the end of a conversation where two former lovers...
I'm Still Here review - powerful tale of repression and...
Just like Britain’s ‘stiff upper lip’, that indominable spirit in the face of adversity,...
Album: Panda Bear - Sinister Grift
Sinister Grift is Panda Bear’s first album since his 2022 Reset collaboration with Spacemen 3’s Sonic Boom. Anyone anticipating...