sat 14/06/2025

Mark Sheerin

Articles By Mark Sheerin

Bradford City of Culture 2025 review - new magic conjured from past glories

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Echoes: Stone Circles, Community and Heritage, Stonehenge Visitor Centre review - young photographers explore ancient resonances

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Laura Aldridge / Andrew Sim, Jupiter Artland, Edinburgh review - lightness and joy

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Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review - era-defining artist portraits

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Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore

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Carey Young: Appearance, Modern Art Oxford review - in the eyes of the law

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Earth Spells: Witches of the Anthropocene, RAMM, Exeter review - this local exhibition deserves a national audience

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In the Air, Wellcome Collection review - art in an emergency

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'Of course art doesn't change the world': Situationist artist Jacqueline de Jong on violence, eroticism and the importance of humour

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Karla Black, Fruitmarket, Edinburgh review - airy free-for-all

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Fetes and Kermesses in the Time of the Brueghels, Musée de Flandre review - all the fun of the fair

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10 Questions for Musician Soumik Datta

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diep~haven 2018 review - a missed connection?

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David Shrigley/Brett Goodroad, Brighton Festival review - showcases puncturing the medium's pretence

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Selma Parlour: Upright Animal, Pi Artworks review - incandescent colours

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theartsdesk in Antwerp: Richard Deacon says nothing

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Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...

Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...

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Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...

I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...

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Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...

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The King of Pangea, King's Head Theatre review - grief...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

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When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...

Yoshitomo Nara, Hayward Gallery review - sickeningly cute ki...

It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the...