Visual Arts Reviews
Peter Lanyon, Courtauld GalleryFriday, 16 October 2015
Free as air, but there was a very heavy price to pay for his ecstatic exploration of the sky by the Cornwall painter Peter Lanyon, who died in 1964, aged just 46, as a result of injuries received in a gliding accident. The Courtauld Gallery is known for its series of original, incisive, acute and intense exhibitions taking a sharply focused view of one aspect of an artist’s work. Often these provide a revelation and so it is here. Read more...
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Risk, Turner ContemporaryWednesday, 14 October 2015
Yves Klein staged a photo of himself, in November 1960, swallow-diving into the air from a first floor window, arms outstretched like a bird. Read more... |
Jimmie Durham, Serpentine GalleryMonday, 12 October 2015
The first thing you encounter is a ballot box bolted to the lid of a school desk; what or whom you might be voting for – apart from the hope of change – is not specified. In the eyes of Jimmie Durham, change is badly needed; in fact, most of the premises on which western society is built could do with a radical rethink. Judging by the state of the box, though – the lid looks as if it has been prized open and bolted down many times – fair and free elections seem unlikely. Read more... |
Frank Auerbach, Tate BritainSaturday, 10 October 2015
A finely honed and spacious selection dating from the 1950s to now, looks in acute focus at the work – a scatter of drawings, a print, but almost entirely paintings – of Frank Auerbach, (b 1931). An only child, he came without his family, from Berlin to England in 1939. His parents were murdered in the Holocaust. He is now one of the most remarkable painters of our time. Read more... |
Goya: The Portraits, National GalleryWednesday, 07 October 2015
The brute nature of man in times of war, religious persecution and hypocrisy, and the destructive power of superstition. Francisco de Goya’s fame today largely rests on such themes, and they go a long way to explain just why he’s often considered the first modern artist. Read more... |
Turner Prize 2015, Tramway, GlasgowMonday, 05 October 2015
What’s going on? It seems the Turner Prize judges not only ran out of Scots to nominate this year, but actual artists. The socially enterprising architect-design collective Assemble don’t even call themselves artists so what must they make of the novelty of being shortlisted for the UK’s premier contemporary art prize? I’ve no doubt they’re delighted, especially since they appear favourites to win, but what a turn up. Read more... |
Ben Rivers: Earth Needs More Magicians, Camden Arts CentreWednesday, 30 September 2015
Filmmaker Ben Rivers is drawn to outsiders and misfits, people who prefer solitude over society and live in shacks in the sticks rather than bungalows in the suburbs. Living in the Kent cottage she shared with her painter husband Roy Oxlade until his death last year, Rose Wylie hardly fits the bill; yet one can see why Rivers was drawn to her. Read more... |
Ai Weiwei, Royal AcademyTuesday, 29 September 2015
Ai Weiwei’s first major survey in the UK is a better looking exhibition than I had anticipated, but what it gains in looks it sadly lacks in substance – backstory and information not being quite the same. Read more... |
The World Goes Pop, Tate ModernSaturday, 19 September 2015
There’s no sign of Oldenburg, Warhol or Lichtenstein and British pioneers Eduardo Paolozzi and Peter Blake are notably absent from this gritty vision of Pop art. Only in the final room do we come face-to-face with a Campbell’s Tomato Soup tin, the comforting bright colours and clean, supermarket-aisle lines blackened, singed and fragmented as if salvaged from some unimaginable disaster. Read more... |
Drawing in Silver and Gold: Leonardo to Jasper Johns, British MuseumThursday, 17 September 2015
Unlike Venice, where colour reigned supreme among artists such as Titian and Veronese, Florence was the city where drawing – disegno – was held up as the cornerstone of the artist’s education. Think of the well-defined musculature of Michelangelo’s figures. Florentine artists of the Renaissance practiced an art of detailed precision, mastering clarity of line and structural rigour. Read more... |
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