Visual Arts Reviews
Goya: The Witches and Old Women Album, Courtauld GallerySaturday, 28 February 2015
The sight of two old women fighting in the street would probably meet with roughly the same response from passers-by whether it happened today or 200 years ago – a queasy mixture of dismay, embarrassment and amusement. To get close to Goya’s drawing of two ancient crones locked in a wrestlers’ embrace, their toothless faces both grimly determined, is to experience those uneasy sensations just as he surely did. Read more... |
Sculpture Victorious, Tate BritainFriday, 27 February 2015
Recent attitudes to Victorian Britain have changed radically. The popular view used to be of a period filled with a kind of smug imperial confidence, underwritten by the increasing wealth of the industrial age. This ingrained assumption was perhaps epitomised by Lytton Strachey’s 1918 Eminent Victorians, which saw the eminences as bungling hypocrites. Read more... |
Picasso: Love, Sex and Art, BBC FourThursday, 26 February 2015
So, Picasso’s last words turned out not to be, “Drink to me. Drink to my health. You know I can’t drink anymore” – yes, those famous last words that inspired a Paul McCartney dirge – but were, according to this TV biography looking at Picasso’s women and how each significant relationship informed the direction of his work, “Get me some pencils”. A more prosaic request, certainly, but he died in bed, aged 93, his pencils delivered and drawing to the last. It was a good and fitting end. Read more... |
Salt and Silver, Tate BritainWednesday, 25 February 2015
Captured in monochromes ranging from the most delicate honeyed golds to robust gradations of aubergine and deep brown, the earliest photographs still provoke a shiver of surprise and excitement. Even now, their very existence seems miraculous, and the blur of a face, or the lost swish of a horse’s tail signifies the photographer’s pitched battle with time, never quite managing to make it stop altogether. Read more... |
Whitworth Art Gallery Reopens with a Meteoric BangWednesday, 18 February 2015
The Whitworth Art Gallery was showered with meteors in a spectacle devised by the artist Cornelia Parker on its reopening weekend – appropriately Valentine’s Day. The £15m project (architects MUMA) has doubled the exhibition spaces, reclaimed the Victorian Grand Hall from offices, added state-of-the-art on-site storage and more space for conservators. Read more... |
Sotto Voce, Dominique LévySaturday, 14 February 2015
Sotto Voce is a collection of white paintings, sculptures and reliefs made by European, British and North and South American artists from the 1930s to 1970s. An accompanying book explains why this non-colour has appealed to so many artists in so many countries over such a long period of time. Read more... |
Magnificent Obsessions, Barbican Art GalleryFriday, 13 February 2015
The title has it about right: no matter what it is they are busily acquiring, collectors seem to be an obsessive bunch, and their obsessions can achieve quite magnificent proportions. The stereotyped image of the collector as a socially challenged monomaniac doesn’t really fit with the popular understanding of the artistic temperament, though. Read more... |
History is Now: 7 Artists Take On Britain, Hayward GalleryFriday, 13 February 2015
A Bloodhound Mark 2 surface-to-air missile points to the sky from the terrace outside the Hayward Gallery. From 1963–1990, the missiles were stationed along the east coast, from Humberside to the Thames, to intercept Soviet planes coming to drop atom bombs on Britain. Read more... |
Sargent: Portraits of Artists and Friends, National Portrait GalleryWednesday, 11 February 2015
Oh, Dr Pozzi! This gorgeous man is garbed in a red wool, full-length robe, almost completely obscuring his elegantly gleaming white shirt. The shirt collar frames his face, casting light, and its frilled cuffs emphasise his improbably long-fingered hands in a lively gesture. Read more... |
First Happenings: Adrian Henri in the ’60s and ’70s, ICASaturday, 07 February 2015
If you bought a Beatles album in the Sixties, chances are you also bought The Mersey Sound, that best-selling collection of poems by the Liverpool poets Brian Patten, Roger McGough and Adrian Henri. It was launched at the Cavern Club in 1967 to musical accompaniment. Their poems felt new, accessible and exciting. "Love is feeling cold in the back of vans," wrote Henri, "Love is a fanclub with only two fans / Love is walking holding paintstained hands / Love is /." Read more... |
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