thu 07/08/2025

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Komsi, BBCSO, Oramo, Barbican Hall review - Sibelius series ends in glory

Read more...

theartsdesk Q&A: Composer, chansonnier and conductor HK Gruber at 75

Read more...

Ivana Gavrić, Wigmore Hall review - more earth than air

Read more...

Best of 2017: Classical concerts

Read more...

Best of 2017: Opera

Read more...

Bach Cantatas - not just for Christmas

Read more...

Classical CDs Weekly Special: Callas Live

Read more...

Naum Kleiman: Eisenstein on Paper review - a lavish journey into the unconscious

Read more...

Octets, Wigmore Hall review - Heath Quartet and star friends effervesce

Read more...

The Twilight Zone, Almeida Theatre review - from hokum to humanity

Read more...

Salonen conducts Sibelius, RFH/Oramo conducts Salonen, Barbican review - Finnish psychedelia

Read more...

Johnston, BBCSO, Oramo, Barbican review - sheer adrenalin in early Sibelius

Read more...

Cavalleria Rusticana/Pagliacci, Royal Opera review - one tenor, two samey brutes

Read more...

Batiashvili, BBCSO, Oramo, Barbican review - electricity in Sibelius and Hillborg

Read more...

Mitsuko Uchida, RFH review - Schubert from rough to heavenly

Read more...

theartsdesk in Stockholm - HK Gruber and sacred monsters

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton, Assembly Roxy ★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...