fri 16/05/2025

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Roman Rabinovich, Hatchlands review - poetry from Chopin's very own Pleyel piano

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Anne Schwanewilms, Charles Spencer, Wigmore Hall review - going deep in Schubert

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Santtu-Matias Rouvali on conducting in Gothenburg - 'they just want to make music. No bullshit'

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After the Rehearsal/Persona, Toneelgroep Amsterdam, Barbican - van Hove reconfigures Bergman

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Kuusisto, Philharmonia, Salonen, RFH review - Icelanders fare better than Sibelius

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Pogostkina, BBCSO, Oramo, Barbican review - human emotions in Sibelius's heaven

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Oedipe, LPO, Jurowski, RFH review - Enescu's masterpiece glorious and complete

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Wings, Young Vic review - Juliet Stevenson goes high and low

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Reger Cello Suites, Richard Harwood, Malling Abbey review - Bach with a dash of acid

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Stravinsky Ballets, LSO, Rattle, Barbican review - the big three burn with focused energy

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Senza Sangue/Bluebeard's Castle, Hackney Empire - uneven French-Hungarian mix

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Anne Applebaum: Red Famine review - hope around a heart of darkness

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La Bohème, Royal Opera review - spectacle and sentiment not yet in focus

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Prom 72 review: Vienna Philharmonic, Harding - uncertain Mahler Six partly redeemed by brass

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Follies, National Theatre review - Imelda Staunton equal first in stunning company

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Prom 70 review: Denk, BBCSO, Canellakis - high, lucid and bright

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