wed 06/08/2025

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Faust, LSO, Gardiner, Barbican review - Schumann as never before

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Hallenberg, LSO, Gardiner, Barbican review - palpitating Schumann and Berlioz

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From the House of the Dead, Royal Opera review - Janáček's prison oddity prompts hot tears

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Fanny and Alexander, Old Vic review - agile but shallow Bergman adaptation

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theartsdesk in Germany - Baltic mastery in Berlin and Leipzig

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Iolanthe, English National Opera review - bright and beautiful G&S for all

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Carmen, Royal Opera review - clever concept, patchy singing, sexy dancing

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Baráti, Lyddon, LPO, Jurowski, RFH review - Stravinsky's bright but derivative beginnings

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Capuçon, Philharmonia, Järvi, RFH review - Dvořák in blazing focus

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Estonian Philharmonic Chamber Choir, Milton Court review - Arvo Pärt plus

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Das Rheingold, LPO, Jurowski, RFH review - orchestral revelations, but cursing Alberich trumps wooden Wotan

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The Flying Lovers of Vitebsk, Kneehigh on tour review - sweetest musical Chagalliana

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BBCSO, Pons, Barbican review - love hurts in vivid Spanish double bill

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Alexander Melnikov, Wigmore Hall review - three pianos, four monsterworks

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The Return of Ulysses, Royal Opera, Roundhouse review - musical drama trumps dodgy stagecraft

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Komsi, BBCSO, Oramo, Barbican Hall review - Sibelius series ends in glory

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Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

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Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

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"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...