mon 08/07/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Leif Ove Andsnes, RFH review - interior magic from a master colourist

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The Consul, Guildhall School review - blowsy melodrama rooted by committed students

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Soltani, West-Eastern Divan Orchestra, Barenboim, RFH review - passionate pilgrimages

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October, LSO, Strobel, Barbican review - Eisenstein with steel score

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Crowe, The English Concert, Bicket, Milton Court review - Mozartian prima-donna perfection

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The Lady from the Sea, Donmar Warehouse review - Nikki Amuka-Bird luminous in a sympathetic ensemble

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Uchida, SCO, Ticciati, Usher Hall, Edinburgh review - Berlioz steals the show

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Osud/Trouble in Tahiti, Opera North - swings and roundabouts in a surprising double-bill

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Alan Hollinghurst: The Sparsholt Affair - pictures at an exhibition, with telling gaps

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Opera: Passion, Power and Politics, V&A review - seven cities, seven masterpieces

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Roman Rabinovich, Hatchlands review - poetry from Chopin's very own Pleyel piano

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Anne Schwanewilms, Charles Spencer, Wigmore Hall review - going deep in Schubert

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Santtu-Matias Rouvali on conducting in Gothenburg - 'they just want to make music. No bullshit'

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After the Rehearsal/Persona, Toneelgroep Amsterdam, Barbican - van Hove reconfigures Bergman

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Kuusisto, Philharmonia, Salonen, RFH review - Icelanders fare better than Sibelius

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Pogostkina, BBCSO, Oramo, Barbican review - human emotions in Sibelius's heaven

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Skeleton Crew, Donmar Warehouse review - slow burn that sati...

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Any show making its debut in the midst of Wimbledon and the Euro-football, plus a spectacular performance by Lewis Hamilton at Silverstone, is...

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Showing over four consecutive nights, Night Caller is a stripped-down psychological...

Album: Joe Goddard - Harmonics

Joe Goddard’s torrent of creativity rarely fails to amaze. As well as eight albums as a crucial part of Hot Chip, he has made two in the 2 Bears...

Music Reissues Weekly: Angelic Upstarts - Teenage Warning

NME’s Paul Morley reviewed Angelic Upstarts’ debut album, the newly reissued Teenage Warning, in August 1979....

Paul Alexander: Bitter Crop - The Heartache and Triumph of B...

It’s often said that nobody mythologised Billie Holiday like Billie Holiday. I’m not so sure.

In this fine, clear-eyed...

First Person: Katharina Kastening on directing slimline Bize...

Peter Brook's reimagining of Bizet's Carmen condenses the scale of the original into a more intimate theatrical experience. The score has...

Album: Kiiōtō - As Dust we Rise

As Dust we Rise ends with “Quilt,” a percussion-driven lamentation bringing to mind the New Orleans stylings of Dr. John. The album...

Heart of an Oak review - an adventure film starring a tree a...

On one level, Heart of an Oak is the most spectacular nature film you are ever likely to see. The camera glides over a forest before...

Next to Normal, Wyndham's Theatre review - rock musical...

We open on one of those suburban American families we know so well from Eighties and Nineties sitcoms - they’re not quite Homer,...