mon 08/07/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Iolanthe, English National Opera review - bright and beautiful G&S for all

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Carmen, Royal Opera review - clever concept, patchy singing, sexy dancing

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Baráti, Lyddon, LPO, Jurowski, RFH review - Stravinsky's bright but derivative beginnings

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Capuçon, Philharmonia, Järvi, RFH review - Dvořák in blazing focus

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Estonian Philharmonic Chamber Choir, Milton Court review - Arvo Pärt plus

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Das Rheingold, LPO, Jurowski, RFH review - orchestral revelations, but cursing Alberich trumps wooden Wotan

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The Flying Lovers of Vitebsk, Kneehigh on tour review - sweetest musical Chagalliana

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BBCSO, Pons, Barbican review - love hurts in vivid Spanish double bill

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Alexander Melnikov, Wigmore Hall review - three pianos, four monsterworks

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The Return of Ulysses, Royal Opera, Roundhouse review - musical drama trumps dodgy stagecraft

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Komsi, BBCSO, Oramo, Barbican Hall review - Sibelius series ends in glory

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theartsdesk Q&A: Composer, chansonnier and conductor HK Gruber at 75

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Ivana Gavrić, Wigmore Hall review - more earth than air

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Best of 2017: Classical concerts

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Best of 2017: Opera

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Bach Cantatas - not just for Christmas

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latest in today

Skeleton Crew, Donmar Warehouse review - slow burn that sati...

For a long stretch of its first half,...

The Turkish Detective, BBC Two review - a bad business in th...

Any show making its debut in the midst of Wimbledon and the Euro-football, plus a spectacular performance by Lewis Hamilton at Silverstone, is...

The Night Caller, Channel 5 review - all he hears is radio g...

Showing over four consecutive nights, Night Caller is a stripped-down psychological...

Album: Joe Goddard - Harmonics

Joe Goddard’s torrent of creativity rarely fails to amaze. As well as eight albums as a crucial part of Hot Chip, he has made two in the 2 Bears...

Music Reissues Weekly: Angelic Upstarts - Teenage Warning

NME’s Paul Morley reviewed Angelic Upstarts’ debut album, the newly reissued Teenage Warning, in August 1979....

Paul Alexander: Bitter Crop - The Heartache and Triumph of B...

It’s often said that nobody mythologised Billie Holiday like Billie Holiday. I’m not so sure.

In this fine, clear-eyed...

First Person: Katharina Kastening on directing slimline Bize...

Peter Brook's reimagining of Bizet's Carmen condenses the scale of the original into a more intimate theatrical experience. The score has...

Album: Kiiōtō - As Dust we Rise

As Dust we Rise ends with “Quilt,” a percussion-driven lamentation bringing to mind the New Orleans stylings of Dr. John. The album...

Heart of an Oak review - an adventure film starring a tree a...

On one level, Heart of an Oak is the most spectacular nature film you are ever likely to see. The camera glides over a forest before...

Next to Normal, Wyndham's Theatre review - rock musical...

We open on one of those suburban American families we know so well from Eighties and Nineties sitcoms - they’re not quite Homer,...