fri 05/07/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Ariadne auf Naxos, Opera Holland Park - stylish staging, world-class singing

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Proms at...Cadogan Hall 1, Perianes, Calidore String Quartet review - mysteries and revelations

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Prom 3, BBC Young Musician at 40 review - multi-layered birthday cake

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Isabeau, Opera Holland Park review - Mascagni's lumpy Godiva-ride rarity

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theartsdesk at the East Neuk Festival 2018 - Bach as bedrock

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Pelléas et Mélisande, Glyndebourne review - frigid metatheatre

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Anthony Marwood and Friends, Peasmarsh Festival - elegies in a country church

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The Turn of the Screw, ENO, Regent's Park Open Air Theatre review - one dimension, not four

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Kiss Me, Kate, Opera North, London Coliseum review - Cole Porter delivered in true company style

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theartsdesk at Leipzig's Blüthner Piano Factory - a perfect family business

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Julius Caesar, BBC Four review - electrifying TV launch of all-women Shakespeare trilogy

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Mamzer Bastard, Royal Opera, Hackney Empire review - inert Hasidic music-drama

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theartsdesk at the Setúbal Music Festival 2018: youth leads the way

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Lohengrin, Royal Opera review - swan mystery musically illuminated

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La finta semplice, Classical Opera, QEH review - consummate musicianship stokes early Mozart

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Capriccio, Garsington Opera review - a classy evening with words and music

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Heart of an Oak review - an adventure film starring a tree a...

On one level, Heart of an Oak is the most spectacular nature film you are ever likely to see. The camera glides over a forest before...

Next to Normal, Wyndham's Theatre review - rock musical...

We open on one of those suburban American families we know so well from Eighties and Nineties sitcoms - they’re not quite Homer,...

The Nature of Love review - disappointing French-Canadian ro...

The Nature of Love joins a recent spate of films where older...

Album: Kokoko! - Butu

Kokoko! hail from the Democratic Republic of Congo (formely...

Glastonbury Festival 2024: A Sunlit Epic of Music, Madness,...

SUNDAY 30th June 2024

It’s late. But not really. Not by the standards of this place. Photographer Finetime and I...

NMC Recordings at 35, Dutch Church, London review - a fittin...

NMC Recordings has spent 35 years promoting contemporary music by British composers, and this commitment to both emerging and established voices...

Mnemonic, Olivier Theatre review - thanks for the memories

I’m sitting in the Olivier waiting for the show to start, comfortable in the knowledge that I’ve seen the original production of Mnemonic...

Album: Enter Shikari - Dancing on the Frontline

For a band as creative as St Albans’ own electronic-...

In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Ro...

Ukraine’s history is complex and often bitter. The territory has been endlessly fought over, divided, annexed and occupied. From 1917-20 it...

Album: Kasabian - Happenings

Great bands’ output can, famously, be predicated by the intense interaction between members, often between a central creative pairing. This can be...