fri 07/02/2025

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Semele, Monteverdi Choir, EBS, Gardiner, Alexandra Palace review - Handel's cornucopia lavishly served

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Bronfman, LPO, Jurowski, RFH review - weight and wit

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Mitten wir im Leben sind, De Keersmaeker, Queyras, Rosas, Sadler's Wells review - Bach-worthy genius

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Billy Budd, Royal Opera review - Britten's drama of good and evil too much at sea

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SS Mendi: Dancing the Death Drill, Isango Ensemble, Linbury Theatre - evocative and essential lyric theatre

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Loro review – hedonism must have an end

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Javier Perianes, QEH review - not a Spanish fire-eater but a world-class poet

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Faust, Royal Opera review - fusty Gounod still dances

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Jack the Ripper: The Women of Whitechapel, English National Opera review - powerful ensemble, wrong subject

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Berenice, Royal Opera/London Handel Festival review - luminous shenanigans in the Linbury

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La forza del destino, Royal Opera review - generous voices, dramatic voids

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Faust, Matthews, LSO, Haitink, Barbican review - glimpses of heaven

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Lady Macbeth of Mtsensk, Birmingham Opera Company review - searing music-theatre for all

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Fellner, LSO, Haitink, Barbican review - the master at 90

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Robert Menasse: The Capital review - much more than just an EU satire

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Berlioz Requiem, Spyres, Philharmonia Orchestra, Nelson, St Paul's Cathedral review - masses and voids

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Elektra, Duke of York's Theatre review - Brie Larson...

We live in tragic times given over to cataclysmic events that require outsized emotions in return. That may be one reason to account for the...

Widmann, LSO, Pappano, Barbican review - razor-sharp attack...

Perhaps all great music counterpoints and comments on the times, but Antonio Pappano and the London Symphony Orchestra have been searingly...

Bring Them Down review - ramming it home in the west of Irel...

“You know what they say: where there’s livestock, there’s dead stock,” says Jack (a brilliant Barry Keoghan). Never a truer word. There’s an awful...

Album: Rats on Rafts - Deep Below

Deep Below’s first track is titled “Hibernation.” “A winter breeze blows through my mind,” intones a colourless, dispirited male voice....

First Person: writer Lauren Mooney on bringing bodies togeth...

It started with a Guardian long-read. I’m ashamed to admit it since so many shows could say the same, but that was the beginning.

It was the...

The Marriage of Figaro, English National Opera review - long...

Who’s in and who’s not – on the secret, the joke, the relationship, the family, the club? That’s the fulcrum of Joe Hill-Gibbins’ ingeniously...

September 5 review - gripping real-life thriller

There’s a common understanding about journalists, especially ones at the top of their game, that they’re flying by the seat of their pants –...

Oedipus, Old Vic review - disappointing leads in a productio...

The opening scene of the Old Vic’s Oedipus is dominated by a giant backdrop of a skull-like face, eyes shut and rock-like. It...

Album: Hifi Sean & David McAlmont - Twilight

It was only six months ago that Hifi Sean and David McAlmont released their Daylight album. A fine disc of summery dance pop that was...