sun 06/10/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Senza Sangue/Bluebeard's Castle, Hackney Empire - uneven French-Hungarian mix

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Anne Applebaum: Red Famine review - hope around a heart of darkness

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La Bohème, Royal Opera review - spectacle and sentiment not yet in focus

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Prom 72 review: Vienna Philharmonic, Harding - uncertain Mahler Six partly redeemed by brass

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Follies, National Theatre review - Imelda Staunton equal first in stunning company

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Prom 70 review: Denk, BBCSO, Canellakis - high, lucid and bright

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Prom 63 review: Gerstein, BBCSO, Bychkov - total mastery of orchestral sound

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Prom 61 review: Fleming, Royal Stockholm Philharmonic Orchestra, Oramo - heliotropic ecstasies

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Proms at...Cadogan Hall review: Pavel Kolesnikov - Chopin takes flight

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Proms at... & Prom 56 reviews: Multi-Story Orchestra / BBCSO, Hrůša - the best of all possible worlds

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Prom 54 review: Kavakos, Filarmonica della Scala, Chailly - cool Milanesi mute Roman exuberance

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theartsdesk in Estonia and Latvia - Pärnu Music Festival's great orchestra goes south

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Prom 50 review: Josefowicz, Clayton, CBSO, Gražinytė-Tyla - personality in every bar

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Proms 47, 48 & 49 review: Reformation Day - superlative Bach as the bedrock

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Prom 46 review: Gurrelieder, LSO, Rattle - gorgeous colours, halting movement in Schoenberg's monsterpiece

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Proms 37 / 38 review: Latvian Radio Choir, Gavrylyuk, BBCSSO, Dausgaard - numinous Rachmaninov triptych

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Blond Eckbert, English Touring Opera review - dark deeds afo...

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Songs We Carry, Ana Silvera and Saied Silbak, Kings Place re...

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Music Reissues Weekly: The Devil Rides In - Spellbinding Sat...

Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve...

Things Will Be Different review - lost in the past

Time-travel is a trap in debutante Michael Felker’s tender sf two-hander, whose title’s grim irony becomes gradually apparent.

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Joan, ITV1 review - the roller-coaster career of a 1980s jew...

If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely....

National Ballet of Canada, Sadler's Wells review - see...

What to expect of the National Ballet of Canada since its last...

Lear, Barbican Theatre review - a very stormy saga, Korean-s...

What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop...

Album: Goat - Goat

With the Pagan festival of Mabon and the Autumnal Equinox only just past us, it seems appropriate for Scandi psychedelic rockers, Goat to provide...

Monet and London, Courtauld Gallery review - utterly sublime...

In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond...

Joker: Folie à Deux review - supervillainy laid low

“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing...