We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…

It was back in 2019 when The Capture made its debut on BBC One, with writer Ben Chanan skilfully exploiting the sinister potential of deep-…

It’s not too much of a stretch to suggest that Tori Amos might inhabit a music genre populated by one artist. That doesn’t make her tunes…

Cate Blanchett is not a diva, but a star. Thanks to her boundless versatility and yen for risk-taking, she's at home in arthouse films as…

As a reviewer, if you’re lucky, you get a tingle down the spine – rarely, but you know it when you feel it. It’s the sensation of seeing…

JS Bach: St John Passion Pygmalion/Raphaël Pichon (Harmonia Mundi)Handel: Messiah Irish Baroque Orchestra/Peter Whelan (Linn…

Hidden among rampant foliage, a couple makes out with an urgency transmitted through Cecily Brown’s vigorous brush marks (pictured below…

The pairing of Chemical Brother Tom Rowlands and Norwegian pop star Aurora sounds interesting but not, on paper, like the formula for…

“Welcome” reads a sign hidden behind a metal screen whose spider-web of bars is designed to keep out unwelcome visitors (pictured below:…

The new version of Ibsen’s classic by Anya Reiss at the Almeida prompted me to wonder at times whether wrenching a play out of its era and…