fri 01/11/2024

tv

Thatcher: A Very British Revolution, Finale, BBC Two review - a heartbreaking account of her decline

Marina Vaizey

The surprisingly touching conclusion to BBC Two’s five-part chronicle of the Thatcher years was a masterpiece of contemporary history.

Read more...

Wild Bill, Episode 1, ITV review - an American in Lincolnshire

Tom Baily

All is not well in Boston, Lincolnshire. Unemployment, immigration concerns, Brexit frustration, and the highest murder rate in the country. How do you solve the problems of contemporary Britain? Send in an American. And not just that.

Read more...

What's My Name: Muhammad Ali, Sky Atlantic review - why they called him The Greatest

Adam Sweeting

As Anthony Joshua’s shock defeat by the unfancied Andy Ruiz Jr suggests, heavyweight boxers ain’t what they used to be.

Read more...

Years and Years, Episode 5, BBC One review - darker and darker

Adam Sweeting

Does every generation suffer its own form of doomsday paranoia? In Stephen Poliakoff’s BBC Two drama Summer of Rockets, it’s the late 1950s and everybody’s convinced they’re about to perish in a nuclear holocaust.

Read more...

Big Little Lies, Series 2, Sky Atlantic review - supercharged start for new season

Adam Sweeting

When the first series of Sky Atlantic's Big Little Lies paraded across our screens in 2017, its shocking but satisfying ending looked like the perfect conclusion to a superb self-contained drama. Doh! Of course it wasn’t – it was just the first season out of who knows how many.

Read more...

Bob Dylan Special - Rolling Thunder Revue, Netflix

Tim Cumming

Tomorrow, Martin Scorsese delivers, via Netflix, two hours and 22 minutes of screen time devoted to Bob Dylan’s Rolling Thunder Revue, following on from the release last week of the latest Bootleg Series boxed set, 14...

Read more...

Killing Eve, Series 2, BBC One review - the award-winning show returns

Markie Robson-Scott

At the end of the first series, MI6 spy Eve (Sandra Oh) stabs psychopathic assassin Villanelle (Jodie Comer) in the stomach as they’re together on the bed in Villanelle’s gorgeous Paris flat ("chic as shit" according to Eve). “I really liked you! It hurts!” cries Villanelle. Series two doesn't mess about. It starts 30 seconds later, as Eve rushes down the spiral staircase, gasping, distraught, carrying a bloody knife.

Read more...

Armistead Maupin's Tales of the City, Netflix, review - sex and dope soap is back in San Francisco

Jasper Rees

It helps to be of a certain vintage to appreciate the first impact of Tales of the City. Armistead Maupin’s column, begun in the San Francisco Chronicle in 1978 as a frank and joyous portrayal of gay culture, became a series of half a dozen cult novels. These started appearing in the UK from the mid-1980s.

Read more...

The Virtues, Episode 4, Channel 4 review - a bitter redemption

Tom Baily

Shane Meadows has said that he always wanted to make a film where people didn’t talk. It’s homage to the European cinema he loves, with its preference for atmosphere over action, ambiguity over resolution, but it is also a way to confront an experience that lay dormant within his own life for too long.

Read more...

63 Up, ITV review - age is beginning to wither them

Adam Sweeting

The first film in this extraordinary series, Seven Up!, was made for Granada Television’s World in Action in 1964. It picked 14 seven-year-old British children from different social backgrounds, aiming to revisit them every seven years to see how their lives were progressing. Paul Almond directed the first programme, but ever since this has been Michael Apted’s baby.

Read more...

Pages

 

latest in today

Guards at the Taj, Orange Tree Theatre review - miniature ma...

It’s 1648 in Agra, and an excitable young guardsman has come up with an idea: a giant flying platform that he calls an “aeroplat”. As...

Road Diary: Bruce Springsteen and the E Street Band, Disney+...

Director Thom Zimny has become the audio-visual Boswell to Bruce Springsteen’s Samuel Johnson, having made...

Blitz review - racism persists as bombs batter London

Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was...

The Buddha of Suburbia, Barbican Theatre review - farcical f...

Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost...

Small Things Like These review - less is more in stirring Ir...

There’s much to note and commend about Small Things Like These, a sensitive, gorgeously shot and moving adaptation of Claire Keegan’...

Anora review - life lesson for a kick-ass sex worker

Anora has had so much hype since it won the Palme d’Or at Cannes in May that it doesn’t really need another reviewer weighing in. Sean...

Album: Willie Nelson - Last Leaf on the Tree

Well, seems like only yesterday when I reviewed Willie Nelson’s last album, Borderline, an excellent set from the man’s ninth decade, and...

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Rigoletto, English National Opera review - another hit for M...

How we used to mock those stuck-in-the-mud opera houses that wheeled out the same moth-eaten production of some box-office favourite decade after...

How To Survive Your Mother, King's Head Theatre review...

It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006...