fri 01/11/2024

tv

The Man Who Saw Too Much, BBC One review – death camp in the clouds

Tom Baily

Boris Pahor is the oldest known survivor of the Nazi concentration camps. In this program, the 106-year-old recounts his experiences as a political refugee and prisoner to the Nazis during their rule in his native Slovenia.

Read more...

Tutankhamun with Dan Snow, Channel 5 review - too many presenters spoil Egyptian boy-king doc

Adam Sweeting

It’s claimed that the current world tour of Tutankhamun’s extraordinary treasures will be the last, but they said that about Frank Sinatra too. Whatever, the boy-pharaoh’s life and legend will retain their unprecedented mystique, but no thanks to this first of three programmes fronted by pop-historian Dan Snow.

Read more...

8 Days, Sky Atlantic review - could armageddon really be this boring?

Adam Sweeting

Beware the asteroid Horus! It’s 60km wide and it’s hurtling towards Earth at incalculable speed. Scientists say, with unfeasible precision, that the impact point will be La Rochelle in France, and it’s going to destroy all of western Europe.

Read more...

The Sinner, Series 2, BBC Four review - a white-knuckle ride into spiritual darkness

Adam Sweeting

The first series of The Sinner in 2017 starred Jessica Biel as a disturbed woman who seemingly inexplicably stabbed a man to death on a beach, then could remember nothing about the crime.

Read more...

Country Music by Ken Burns, BBC Four review - grand history of fiddlers on the hoof

Jasper Rees

Ken Burns is the closest American television has to David Attenborough. They may swim in different seas, but they both have an old-school commitment to an ethos that will be missed when it’s gone – the idea that television is a place to communicate information with a sober sense of wonder. Burns’s field is American history in all its breadth and depth. Last time round it was a lapidary decalogue of documentaries about the Vietnam War.

Read more...

Greg Davies: Looking for Kes, BBC Four review - touching insights into the story of Barnsley boy Billy Casper

Adam Sweeting

This year marks the 50th anniversary of Ken Loach’s film Kes, and the 51st of A Kestrel for a Knave, the Barry Hines novel it was based on. The story of Barnsley boy Billy Casper who finds an escape from his painful home life and brutal schooling by training a wild kestrel has resonated down the decades, and the film is regarded as a classic of British cinema, even if the Americans couldn’t understand its Yorkshire accents.

Read more...

Vienna Blood, BBC Two review - psychoanalysis and murder in turn-of-the-century Vienna

Markie Robson-Scott

“Talking cures and exploring the darkness of men’s souls – are you sure this is a career for a gentleman?” This is Vienna, 1906. Freud is exerting an influence, to the disapproval of many, including the father of cool-as-a-cucumber Max Liebermann (Matthew Beard).

Read more...

The Crown, Series 3, Netflix review - if you want binge TV, there's none finer

Adam Sweeting

Although it conforms to a realistic chronology of events, this third season of Peter Morgan’s remarkable voyage around the House of Windsor (on Netflix) has the feel of a sequence of standalone dramas, linked together by its interrelated characters and their shared history.

Read more...

The Accident, Series Finale, Channel 4 review - ambitious mini-series leaves many unanswered questions

Jill Chuah Masters

Channel 4’s The Accident closed with a bang and a whimper. Jack Thorne provided a definitive answer to his series’ central question, but his characters and subplots petered out in the meantime.

Read more...

Britain’s Lost Masterpieces, Episode Three, BBC Four review – more than a bit of Botticelli

Tom Baily

Once again the whodunit becomes the whoforgedit in the newest installment of the Britain’s Lost Masterpieces series.

Read more...

Pages

 

latest in today

Guards at the Taj, Orange Tree Theatre review - miniature ma...

It’s 1648 in Agra, and an excitable young guardsman has come up with an idea: a giant flying platform that he calls an “aeroplat”. As...

Road Diary: Bruce Springsteen and the E Street Band, Disney+...

Director Thom Zimny has become the audio-visual Boswell to Bruce Springsteen’s Samuel Johnson, having made...

Blitz review - racism persists as bombs batter London

Blitz, set on a vast CGI canvas in September 1941, is an improbable boy’s adventure tale that depicts the misery and terror that was...

The Buddha of Suburbia, Barbican Theatre review - farcical f...

Hanif Kureishi’s 1990 novel The Buddha of Suburbia begins like this: “My name is Karim Amir, and I am an Englishman born and bred, almost...

Small Things Like These review - less is more in stirring Ir...

There’s much to note and commend about Small Things Like These, a sensitive, gorgeously shot and moving adaptation of Claire Keegan’...

Anora review - life lesson for a kick-ass sex worker

Anora has had so much hype since it won the Palme d’Or at Cannes in May that it doesn’t really need another reviewer weighing in. Sean...

Album: Willie Nelson - Last Leaf on the Tree

Well, seems like only yesterday when I reviewed Willie Nelson’s last album, Borderline, an excellent set from the man’s ninth decade, and...

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Rigoletto, English National Opera review - another hit for M...

How we used to mock those stuck-in-the-mud opera houses that wheeled out the same moth-eaten production of some box-office favourite decade after...

How To Survive Your Mother, King's Head Theatre review...

It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006...