mon 30/06/2025

tv

Return to Larkinland, BBC Four

Tom Birchenough

Return to Larkinland was the second of AN Wilson’s intimate portraits of poets, following his similar excursion toBetjemanland” last year.

Read more...

Ted Hughes: Stronger Than Death, BBC Two

Matthew Wright

The tragic love of Ted Hughes and Sylvia Plath is probably Britain’s most notorious 20th-century relationship. While other controversies – for example, those of Wallace Simpson, John Profumo and Princess Diana – have been laid to rest, Hughes and Plath are still generating headlines more than 50 years after Plath’s suicide in 1963.

Read more...

Music for Misfits: The Story of Indie, BBC Four

Barney Harsent

If there was any doubt as to the musical preferences of BBC4's commissioning arm, consider this: the whole history of funk got an hour. Meanwhile, indie music – a niche, artistic movement that somehow ended up drinking champagne while wallowing in its own mess by the mid-Nineties – gets a three-part series. Just thought I’d mention it.

Read more...

Unforgotten, ITV

Jasper Rees

The rule doesn’t always hold good, but in a television drama a fairly reliable kitemark of quality is when the opening credits list the cast and you’ve heard of them. The title sequence of Unforgotten promised Trevor Eve, Nicola Walker, Sanjeev Bhaskar, Tom Courtenay, Gemma Jones, Ruth Sheen, Peter Egan, Hannah Gordon, Bernard Hill, Cherie Lunghi and Tom Cobbleigh. OK not Uncle Tom, but you get the picture.

Read more...

Doctor Foster, Series Finale, BBC One

Veronica Lee

Revenge dramas are such a guilty pleasure - there's a vicarious thrill in watching a baddie being taken down in a way that we might wish to, but never would, in real life. And boy, but did Gemma take down cheating husband Simon in the closing episode of Mike Bartlett's Doctor Foster. Senior GP Gemma and hip property developer Simon's perfect life, with their perfect house and their perfect son was, of course, anything but - and finally it all came crashing down.

Read more...

The Celts: Blood, Iron, and Sacrifice, BBC Two

Marina Vaizey

Not a ray of sunshine illuminated the landscapes that were explored in this stormy programme, the first of a three-part history of the Celts. It aimed not only to show the latest investigations into the Bronze and Iron Age tribes who inhabited Europe from Turkey to Britain but to suggest their culture was richer than the simple cliché of barbarians at the gate.

Read more...

From Darkness, BBC One

Adam Sweeting

This is the first of two new TV series this week to feature a female police officer investigating the discovery of long-buried skeletons (the other one is Thursday's Unforgotten on ITV). The two shows are different in tone, but still reminiscent of numerous noir-ish policiers of recent vintage. It makes you wonder whether commissioning editors are trying hard enough.

Read more...

Storyville: A Syrian Love Story, BBC Four

Tom Birchenough

Managing the boundaries of closeness in documentary filmmaking can be a complicated issue. Does the documentarist figure only as a fly-on-the-wall observer – or become involved, caught up in the story of his or her subject? Is it possible to maintain a distinction? When, and what is going too far?

Read more...

Cider with Rosie, BBC One

Jasper Rees

For the final instalment of its season of 20th-century classics, the BBC left the world of fiction behind and took a Rosie-tinted amble along the leafy byways of Laurie Lee’s youth. The first part of Lee’s autobiographical trilogy is much the most read. Sales of six million means Cider with Rosie has a lot of fans who will have watched this dramatisation anxiously fearing the worst.

Read more...

Piers Morgan's Life Stories: John Lydon, ITV

Barney Harsent

The British, it is said, are victims of reserve – eschewing anger, open affection and hurt for crossface winkyface sadface. While an over-simplified (not to mention shockingly solipsistic) take on a far from unique tendency, there is a kernel of truth here. A difficulty, perhaps, in conveying emotions accurately. A mistrust of heightened states – a tendency to misconstrue and get caught up in guilt, blame and shame.

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics.  But while stand-ups may need only a microphone to...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...