Theatre Reviews
Pride and Prejudice, Open Air Theatre, Regent's ParkWednesday, 26 June 2013
It is a truth universally acknowledged that it is essential to quote the famous opening line in any reference to Jane Austen's best-loved work. Pride and Prejudice is 200 years old and being celebrated with balls, literary walks, readathons, television programmes and this adaptation for the stage. Read more... |
The Night Alive, Donmar WarehouseThursday, 20 June 2013
Can theatrical lightning strike twice? That certainly looks to be the case at the Donmar, which has followed Josie Rourke's expert revival of Conor McPherson's contemporary classic, The Weir, with the world premiere of McPherson's latest, directed with a deft finger on both the human and numinous pulse by the author himself. Read more... |
The Cripple of Inishmaan, Noël Coward TheatreWednesday, 19 June 2013
Martin McDonagh's play, which premiered in 1997, here receives its first major revival as part of Michael Grandage's star-studded first season at the Noël Coward Theatre. Read more... |
Hard Feelings, Finborough TheatreTuesday, 18 June 2013
Doug Lucie's signature spikiness remains intact, and then some, in the Defibrillator production of Hard Feelings, which is sure to pack out west London's tiny Finborough and might well be a candidate for a transfer. Read more... |
Bracken Moor, Tricycle TheatreMonday, 17 June 2013
In Bracken Moor Alexi Kaye Campbell inhabits similar territory to J B Priestley, whose work he admires. Like his predecessor, Campbell combines social comment with the mystical and spiritual and even chooses to set the action in pre-war Yorkshire. Orwell's The Road to Wigan Pier, published in 1937, quoted both in the dialogue and the programme, also contributes to the play's landscape. Read more... |
The School For Scandal, Park TheatreSaturday, 15 June 2013
What to do with an old warhorse like The School for Scandal, a fantastic play written by Richard Brinsley Sheridan in 1777 full of smart lines and great parts, beloved not just of professional actors but amateur troupes too - and therefore performed with sometimes monotonous regularity? Well, if you're director Jessica Swale you cut a bit, add a bit and give it some musical numbers while remaining mostly faithful to the original. Read more... |
The Amen Corner, National TheatreFriday, 14 June 2013
Oh, how the mighty are fallen. Margaret Alexander (Marianne Jean-Baptiste) is a storefront pastor in Harlem who leads her flock with absolutist conviction. No drinking, no smoking - the way to the Lord is through abstinence and clean living, and she herself embodies these righteous goals. So woe betide Sister Margaret when her far from clean-living ex-husband, a musician called Luke (Lucian Msamati), arrives at her door after many years. Read more... |
Sweet Bird of Youth, Old Vic TheatreThursday, 13 June 2013
A town called St Cloud, a girl named Heavenly and a faded star who feels she’s living on the Moon: the imagery of Tennessee Williams’s drama is celestial, yet he puts his characters through hell. Read more... |
Mission Drift, National TheatreTuesday, 11 June 2013
One of the promises of artistic director Nicholas Hytner when he took the helm of this flagship 10 years ago was to stage new and innovative musicals. His problem, of course, is that these don’t grow on trees. So after the triumph of Jerry Springer: The Opera in 2003, we had to wait eight years for London Road, the venue’s next British hit. Read more... |
Blair's Children, Cockpit TheatreMonday, 10 June 2013
What kind of legacy will the Blair years lave on ordinary people? Some predictable answers but also some unexpected, haunting personal accounts emerge in a drama inspired by the spectacularly successful 1974 play Kennedy's Children from American actor-playwright Robert Patrick. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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