fri 28/02/2025

Theatre Reviews

Tir Sir Gâr, Carmarthenshire County Museum

Gary Raymond

The play is the thing, to quote one famous bereaved theatrical son, and in this new collaboration between Theatr Genedlaethol Cymru, artist Marc Rees and playwright Roger Williams, it is most definitely the thing.

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Othello, National Theatre

Sam Marlowe

It’s apt that a drama set among soldiers should be presented with military precision; but corruption, cruelty and perversion can lurk amid the human innards of the machine of war, and in Nicholas Hytner’s well-oiled, impeccably paced production of Shakespeare’s tragedy, the chainlink and concrete of an army base house scenes of cruel humiliation.

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Orpheus, Battersea Arts Centre

Sebastian Scotney

Orpheus, set in an imaginary Paris in the 1930s, delivers an unashamedly escapist and a quite delightful evening's entertainment. The Orpheus myth is often a pretext for fantasy or fun. Maybe the original, tragic tale is just too unremittingly dark and poignant.

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The Breadwinner, Orange Tree Theatre

alexandra Coghlan

Although overwhelmingly remembered now as a novelist, Somerset Maugham was best known during his lifetime as a playwright. “England’s Dramatist”, as the newspapers christened him, produced more than 20 plays spanning the length of his career, outdoing contemporaries Shaw and Rattigan for popular and critical success. But his was not an enduring fame, and with his work now strikingly absent from the theatrical repertoire, any revival must inevitably face the suspicious question: why?

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The Life of Stuff, Theatre503

Sam Marlowe

A severed toe, a shotgun, copious blood, vomit and snot, and a live snake. Sprinkle them liberally with Shake’n’Vac masquerading as cocaine, douse in booze, piss and petrol, set the whole lot alight and you have something of the loud, lurid volatility of this drama by the Scots writer Simon Donald.

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The South Bank Show: Tim Minchin, Sky Arts 1

Tom Birchenough

The new South Bank Show has glided into its second season with a seemingly effortless profile of multi-hyphenate Tim Minchin. In case we’ve forgotten what exactly we admire him for these days so varied has been his decade-long career been, through satire, rock, musical comedy, stage performance, to co-creator of the RSC transfer-spectacular Matilda that's now storming Broadway then this was a good reminder.

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Doktor Glas, Wyndham’s Theatre

aleks Sierz

Scandi thrillers have a lot to answer for. Ever since the small-screen success of the Swedish Wallander series, based on the books by Henning Mankell, there has been a host of other must-sees — including the brilliant Borgen — plus British imitations such as Kenneth Branagh’s Wallander. Not to mention various outings of The Killing and its local progeny such as Broadchurch.

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#aiww: The Arrest of Ai Weiwei, Hampstead Theatre

Heather Neill

During rehearsals of his new play, Howard Brenton and the company had a sudden realisation: they were willing partners in "the vast Ai Weiwei project". The Chinese dissident artist, a constant critic of his country's human rights policies, was arrested on his way to Hong Kong in 2011 because his travel would "damage state security" and detained for 81 days. Now he requested that this story be told in a play to be based on interviews he had given to the journalist Barnaby Martin.

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Beautiful Thing, Arts Theatre

aleks Sierz

Some plays are game-changers. When Jonathan Harvey’s Beautiful Thing opened at the tiny Bush Theatre in 1993 the joy that radiated off the stage was ample affirmation that this tale of puppy love had changed the face of gay plays for ever. Gone was dreary soul searching; gone was guilt; gone was militancy. Instead, we got fun, laughter and real heart.

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Children of the Sun, National Theatre

David Benedict

They’re back, and this time it’s Gorky.

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Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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