Theatre Reviews
Living Quarters, Tobacco Factory Theatres, BristolFriday, 25 September 2015
Brian Friel’s Living Quarters ranks with his best plays but isn’t well known. This powerful story of family dysfunction was first performed in the UK in 1991, directed by Andrew Hilton for Bristol’s legendary pub theatre company Show of Strength and was then not seen on the English stage until now – once again with the Bristol director at the helm. Read more... |
Waiting for Godot, Royal Lyceum Theatre, EdinburghThursday, 24 September 2015
It’s been a turbulent few months for Edinburgh’s Lyceum Theatre, with a substantial cut in funding from Creative Scotland last October, followed by the (unrelated) announcement that Mark Thomson, artistic director since 2003, would step down at the end of the current season. Read more... |
Dinner with Saddam, Menier Chocolate FactoryWednesday, 23 September 2015
Writer Anthony Horowitz is a busy man. Having written more than 40 books, he has also worked in many media. One year, he’s penning another series of the ever-popular Foyle’s War; the next he’s reviving the world of Sherlock Holmes in novels such as Moriarty; then it’s onto James Bond with Trigger Mortis. Read more... |
Martyr, Unicorn TheatreWednesday, 23 September 2015
Following a dangerously selective reading of a religious text, 15-year-old Benjamin has adopted a fundamentalist doctrine that espouses misogynist, homophobic and puritanical views and, at its extreme, violence. Neither his mum nor his teachers know how to handle him. The clever twist in Marius von Mayenburg’s 2012 play: that text isn’t the Qu’ran, but the Bible. Read more... |
Mr Foote’s Other Leg, Hampstead TheatreTuesday, 22 September 2015
The actor and historian Ian Kelly is fascinated by the way that performers use the theatre to understand not only themselves, but also the world. In this new play, he looks at the life and career of Samuel Foote, one of the larger-than-life figures in the age of Garrick who has, alas, been forgotten by time. Read more... |
The Encounter, Bristol Old VicMonday, 21 September 2015
Complicite have, for several decades, been Britain’s most consistently adventurous theatre company. Read more... |
Casa Valentina, Southwark PlayhouseSunday, 20 September 2015
The “femmepersonators” of Harvey Fierstein’s 1962-set drama would be flabbergasted by today’s level of trans visibility, from Grayson Perry and Caitlyn Jenner to Transparent and Eddie Redmayne’s new film The Danish Girl. Read more... |
Hangmen, Royal Court TheatreSaturday, 19 September 2015
Welcome back Martin McDonagh. It’s been more than 10 years since you’ve had a play on in London, and I was beginning to think that we had lost you to Broadway, and Hollywood, for ever. As you know, I loved it when your Leenane Trilogy burst onto our stages in the late 1990s, and although I wasn’t that keen on some of the follow-ups, your The Lieutenant of Inishmore (2001) and The Pillowman (2003) are among my favourite plays. Read more... |
The Cocktail Party, The Print RoomSaturday, 19 September 2015
It’s a pleasing serendipity that while Martin McDonagh’s clamorously anticipated Hangmen opened at the Royal Court last night, just a little further west T.S Eliot’s The Cocktail Party should also be having its opening night. Back in 1956 another Royal Court premiere – John Osborne’s Look Back In Anger – called time on Eliot and his dramatic ilk, ushering him into a neglect from which he has never really recovered. Read more... |
Jane Eyre, National TheatreFriday, 18 September 2015
Last February, director Sally Cookson shrunk Charlotte Brontë’s 400-page novel Jane Eyre down to a four-and-a-half-hour play spread across two nights at the Bristol Old Vic. Now, as this co-production finally arrives at the National Theatre, it has slimmed still further – shedding one hour and one night to become a (comparatively) brisk Hamlet-length evening of physically and sensorily-charged theatre. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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