Theatre Reviews
Jesus Christ Superstar, Regent's Park Open Air TheatreFriday, 22 July 2016
London’s West End may be the envy of the world, but when it comes to musicals the big-hitting theatres might have to up their game a bit if they’re to keep up with the city’s rival offerings. Read more... |
Some Girl(s), Park TheatreWednesday, 20 July 2016
Neil LaBute’s exercise in self-flagellation, first seen in 2005 and adapted for film in 2013, offers his familiar misanthropic take on the battle of the sexes. This one concerns Guy (Charles Dorfman), engaged to be married and embarking on a tour of ex-girlfriends across America – ostensibly to right wrongs, but murkier motives soon emerge. Read more... |
Into the Woods, Menier Chocolate FactoryThursday, 14 July 2016
"Children will listen," or so goes a lyric to one of the most heart-rending numbers in Into the Woods, the Stephen Sondheim/James Lapine musical that seems rarely to be long-absent from the British stage. And the great virtue of the Fiasco Theatre's approach to this of all Sondheim shows is that the company's childlike sense of play releases the abiding seriousness, even sorrow, of the piece afresh. Read more... |
Unreachable, Royal Court TheatreWednesday, 13 July 2016
There are obvious reasons why films about the theatre outnumber plays about the movie industry, but here’s a play that bucks that trend. Anthony Neilson’s latest drama is located on a film set somewhere distant, hot and challenging but doesn’t allow us so much as a peep at the local colour. Throughout the evening any potential view of the wider world is blocked on stage by those wheelie screens cinematographers use for bouncing light around. Read more... |
The Stripper, St James TheatreTuesday, 12 July 2016
Womanising detectives, shapely dames, gangsters and convoluted criminal conspiracies: Richard O’Brien and Richard Hartley’s 1982 musical take on Carter Brown’s California-set whodunit fiction is pulp noir to the max. However, unlike the pair’s previous collaboration, the indelible Rocky Horror Show, this is more homage than send-up – arch but fairly straightforward storytelling in place of riotous, risqué pastiche. Read more... |
Bugsy Malone, Lyric HammersmithThursday, 30 June 2016
For those in sore need of a theatrical pick-me-up, jazz square your way over to Bugsy Malone. Last year’s smash-hit opener of the redeveloped Lyric has been given a well-deserved encore, with Sean Holmes’s production once again nailing the beguiling blend of Alan Parker’s 1976 film: children performing musical mobster pastiche, smartly knowing in their deconstruction of adult absurdities, but sidestepping cloying precocity. Read more... |
Faith Healer, Donmar WarehouseWednesday, 29 June 2016
Oh dear. I could have sworn I had a book about Irish playwright Brian Friel somewhere. But I can’t find it. Or maybe I never bought it. Maybe I just thought I might have bought it. Maybe it’s a false memory. Better ask my wife. Now at least I’m in the zone, that place called ambiguity that is, aptly enough, one of the characteristics of Friel’s 1979 play, Faith Healer, which is being revived with a starry cast at this boutique venue. Read more... |
As You Like It, The Savill Garden, WindsorMonday, 27 June 2016
How often are you charmed by one of Shakespeare’s sylvan romances while literally under a greenwood tree? Even if this summer is proving rather generous with the rough weather, it is an unusual pleasure to wander around a fine woodland garden while Rosalind and Orlando pursue their light-hearted crossdressing courtship in the forest of Arden, and white sheets inked with bad love poems flutter from the trunks of many oak trees. Read more... |
Macbeth, Shakespeare's GlobeSaturday, 25 June 2016
It begins promisingly, a dark Gothic fairy tale – both Grimm and grim. The writhing witches (four, oddly) are summoned from a pile of dead bodies, Stefan Fichert’s eerie puppetry all chopped-up limbs and interchanging demonic heads, hands scuttling across the floor like a spider, and disembodied voices chanting and haunting. Then the spell is broken and “what seem’d corporal melted”. Read more... |
Henry V, Regent's Park Open Air TheatreThursday, 23 June 2016
As we finally go to the polls, casting votes based on our view of national identity and Britain’s place in the world, here comes Shakespeare’s ever-topical play. Robert Hastie’s thoughtful take is contemporary dress but stripped back, not so much holding up a mirror as inviting us to project modern concerns onto it. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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