Theatre Reviews
Carousel, London Coliseum review - 'Katherine Jenkins is game, Boe out-acted by wig'Wednesday, 12 April 2017
“Then I’ll kiss her so she’ll know.” At the sound of his ringing voice, the girls part to reveal him standing there, a hapless monument of rumpled charm. The audience relaxes in pleasure as an easeful actor joyfully shows what you can do with a command of textual detail, physicality and, above all, character. The trouble is, the excellent Gavin Spokes is playing not one of the leads but the supporting role of Mr Snow. Read more...
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The Winter's Tale, Barbican review - Cheek by Jowl's latest wavers in toneMonday, 10 April 2017
This is a well-travelled Winter’s Tale. Declan Donnellan has long been a director who's as much at home abroad as he is in the UK, and with co-production support here coming pronouncedly from Europe (there's American backing, too), Cheek by Jowl have made it abundantly clear where they stand on the issue of the day. Read more... |
The Goat, or Who Is Sylvia?, Theatre Royal Haymarket review - 'Damian Lewis devastates'Thursday, 06 April 2017
Asked in an interview if there remained any taboos in the theatre, Edward Albee answered, “Yes. I don’t think you should be allowed to bore an intelligent, responsive, sober audience”. Read more... |
Expensive Shit, Soho Theatre, review - 'strong but slender'Thursday, 06 April 2017
It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine nightclub in Lagos, where Afrobeat star Fela Kuti is king. It’s 1994. And it’s hot. Sweat is just pouring off you, no longer in little trickles but soaking through your clothes. And still you dance. Read more... |
Consent, National Theatre, review - thrilling revenge dramaWednesday, 05 April 2017
Rape is such a serious social issue that it’s hardly surprising that several recent plays have tackled it. I’m thinking of Gary Owen’s Violence and Son, James Fritz’s Four Minutes Twelve Seconds and Evan Placey’s Consensual. Read more... |
42nd Street, Theatre Royal Drury Lane, review - 'sheer synchronised splendour'Wednesday, 05 April 2017
Can London support two dance musicals, each one dazzling in a different way? We're about to find out, now that the mother of all toe-tappers, 42nd Street, has set up shop a jeté or two away from where An American in Paris is achieving balletic lift-off. Read more... |
The Lottery of Love, Orange Tree Theatre review - the fragile charm of artificeTuesday, 04 April 2017
The social permutations of love are beguilingly explored in the 90-minute stage traffic of Marivaux’s The Lottery of Love, with Paul Miller’s production at the Orange Tree Theatre making the most of the venue’s unencumbered in-the-round space to dance the action along at a brisk pace. The only adornment in Simon Daw’s design is an elaborate chandelier, bedecked with candles and hanging roses, but the sheer élan of the piece more than occupies the stage in itself. Read more... |
Don Juan in Soho, Wyndhams Theatre review - 'David Tennant is Marber-Molière playboy'Thursday, 30 March 2017
Updating the classics is not without its pitfalls. How can a modern audience, which has a completely different set of religious beliefs, relate to a 17th century morality tale in which the lead character behaves really badly, but gets his comeuppance by being roasted in hell fire? This is the case with Molière’s Don Juan, or The Feast with the Statue, which was originally staged in 1665. Read more... |
The Wipers Times, Arts Theatre review - 'dark comedy from the trenches'Wednesday, 29 March 2017
You may be having a moment of déjà vu, as Ian Hislop and Nick Newman’s new play (which lands in the West End after a UK tour) was previously a BBC film (shown in 2013), and a very fine one too, covering as it does a true story from the First World War. Read more... |
The Kid Stays in the Picture, Royal Court, review – ‘sad, bad and sprawling’Friday, 24 March 2017
The beauty of fiction is that its stories have both compelling shape and deep meaning – they are dramas where things feel right and true and real. The trouble with real life is that it’s the opposite: it is messy, frequently shapeless and often meaningless. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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