mon 10/03/2025

Theatre Reviews

Grief Is the Thing with Feathers, Barbican Theatre review - Cillian Murphy soars and sweeps

aleks Sierz

Wow, what a collection of talent: this show stars Peaky Blinder Cillian Murphy, and Enda Walsh's adaptation, Grief Is the Thing with Feathers, is based on Max Porter's award-winning novel of the same name.

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Fiddler on the Roof, Playhouse Theatre, review – energetic production whips up an emotional storm

Rachel Halliburton

In an age where political, social, and gender norms seem to be in perpetual meltdown, it should be pretty much impossible for a musical that begins with a song celebrating ‘Tradition’ to strike a chord.

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Local Hero, Royal Lyceum Theatre, Edinburgh - captivating musical with a harder edge

David Kettle

“Cult” is probably an over-used adjective, especially when it comes to movies.

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The Phlebotomist, Hampstead Theatre review - thought-provoking dystopian thriller

aleks Sierz

Contemporary British theatre loves time travel — and not just to the past. It also enjoys imagining the future, especially the bad stuff ahead. So Ella Road's debut play, The Phlebotomist, is set in a convincingly coherent dystopia where genetic profiling reigns supreme, and one blood test can fuck up all your life chances.

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Mary's Babies, Jermyn Street Theatre review - rollercoaster investigation of early fertility treatment

Heather Neill

Obstetrician Dr Mary Barton had the best of intentions. As a missionary in India she had observed the poor treatment of childless women and, back home in England, she took positive action to help women who wanted babies. This being the period between the late 1930s and 1967, there was as yet no legal framework for artificial insemination; indeed it was disapproved of and kept secret.

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The Life I Lead, Park Theatre review - pleasant enough but lacks bite

Tim Cornwell

I am deeply jealous of Miles Jupp's dressing gown in The Life I Lead, the solo play at the Park Theatre. It's a silky-grey patterned number of exquisitely comfortable proportions, and just the sort of thing a chap should wear to tell the story of his life via some genial patter over an hour or two.

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Blood Knot, Orange Tree Theatre review - defining apartheid-era drama delivers afresh

Matt Wolf

London's impromptu mini-season devoted to the work of Athol Fugard picks up real steam with Blood Knot, Matthew Xia's transfixing take on one of the benchmark titles of the apartheid era and beyond.

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Emilia, Vaudeville Theatre review - shouting for change

aleks Sierz

Emilia Bassano Lanier is not a household name. But maybe she should be. Born in 1569, she was one of the first women in England to publish a book of poetry. And she was also a religious thinker, a feminist and the founder of a school for girls. Oh, and a mother too. And maybe, just maybe, at a long stretch, she was also the "dark lady" of Shakespeare's sonnets.

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Downstate, National Theatre review - controversial but also clear-eyed and compassionate

Matt Wolf

"Some monsters are real," notes a retribution-minded wife (Matilda Ziegler) early in Downstate, Bruce Norris's beautiful and wounding play that has arrived at the National Theatre in the production of a writer's dreams.

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The Bay at Nice, Menier Chocolate Factory review - David Hare talkfest takes intermittent wing

Matt Wolf

David Hare knows a thing or two about sustaining an onstage face-off. Skylight and The Breath of Life consist tantalisingly of little else and so, for the most part, does his 1986 curiosity The Bay at Nice, which I caught back in the day during a premiere engagement at the Cottesloe that was given immediate lustre by the ravishing Irene Worth.

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Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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