theartsdesk Q&A: Opera Directors Patrice Caurier and Moshe Leiser

theartsdesk Q&A: Opera Directors Patrice Caurier and Moshe Leiser | reviews, news & interviews

theartsdesk Q&A: Opera Directors Patrice Caurier and Moshe Leiser

Opera's Gilbert and George on their unique 30-year collaboration as directors

by Jasper ReesSaturday, 03 April 2010

'I am shock and awe. Patrice is reconstruction': Moshe Leiser (right) and Patrice Caurier© Jillian Edelstein

It is rare enough for directors to collaborate in theatre, even rarer in opera. Patrice Caurier (b. Paris, 1954) and Moshe Leiser (b. Antwerp, 1956) began their long collaboration in their 20s. They are now in their 50s, and since that first production of Britten’s A Midsummer Night’s Dream at Opéra de Lyon in 1982, they have never worked (or lived) apart. Cohabiting and collaborating, they are opera’s closest equivalent to Gilbert and George.

People think that the director is responsible for what you see and the conductor is responsible for what you hear. I think that’s bullshit. It’s really the director that allows the music to exist and it’s the job of the conductor to make theatre in the pit. If you don't have that you don't have opera

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