wed 05/11/2025

New Music Reviews

Reissue CDs Weekly: Tea & Symphony - The English Baroque Sound 1968-1974

Kieron Tyler

When it was issued in May 1968, “Fading Yellow” attracted no attention. It couldn’t have as it was the B-side of “Mr. Poem”, Mike Batt’s poor-selling debut single. The top side was good, very 1968 and along the lines of whimsical 45s like Donovan’s “Jenifer Juniper” or Marty Wilde’s “Abergavenny” but wasn’t a hit.

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Madonna, London Palladium review - a fiesta of the surreal and the fiercely fabulous

Katie Colombus

The first time I heard Madonna, I was 8 years old at a school disco.

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Fatoumata Diawara, Roundhouse review - Malian magic on show

mark Kidel

Fatoumata Diawara knows how to please: with a winning and innocent smile, she wins the audience over in a matter of seconds. She has a vocal style all of her own: in her first song, “Don Do”, a quiet and meditative prelude to the boisterous show that follows, she seduces with sensual textures and a slight rasp unique among West African women singers, and which owes as much to jazz and gospel as to the traditions of her musically-rich country.

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John Grant, Roundhouse review - simplicity, with a bit of space opera

India Lewis

John Grant’s entry onto the stage was unobtrusive, appropriate for a set-up that consisted of just a grand piano and an electronic keyboard (with accompanying keyboardist). He began with similarly unadorned songs, the ballads that peppered the start and the end of his set.

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Slipknot, Arena Birmingham review – Iowa metal-heads tear the roof off

Guy Oddy

Given Slipknot’s studied image as arch misanthropes, with their horror show costumes, aggressive posturing and frightening masks designed to put the wind up Middle America and everyone else for that matter, their imposing singer Corey Taylor spent an unexpected amount of time between songs on the Arena Birmingham’s stage this weekend preaching a gospel of sticking together in these trying times and of encouraging the band’s fans, the Maggots, to watch each other’s backs.

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Reissue CDs Weekly: Game Theory - Across The Barrier Of Sound

Kieron Tyler

Since this column last caught up with the totemic California art-popsters Game Theory, band mainstay Gil Ray passed away. He died in January 2017. He had joined Game Theory as their drummer and backing vocalist in 1985. The new collection Across The Barrier Of Sound: Postscript tracks the Game Theory of 1990 and 1991: a period when Ray was playing guitar and keyboards in the band.

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Bombay Bicycle Club, Cardiff University Students Union review - guitar pop, perfected

Owen Richards

When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night in Cardiff, you had to believe them. Bombay Bicycle Club returned after a six-year absence and were greeted in the Welsh capital like long-awaited saviours.

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Robert Henke CBM 8032, Barbican - a vision of possibilities from 40 years ago

joe Muggs

Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as influential as any guitar they built, and probably more used. However, of course, being just a piece of code, it could never be iconic like a guitar.

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Album: Ruby Turner – Love Was Here

Sebastian Scotney

One can only marvel at the versatility of Ruby Turner. As a vocalist, she spans the whole blues/soul/ R&B spectrum, and has been a major presence on the British scene since the late Seventies.

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Celtic Connections 2020, Glasgow review - fine feast of Scottish music

Miranda Heggie

Celtic Connections, Scotland’s annual festival of folk, world and fusion music, has been brightening up dreich Glasgow Januaries since its inception in 1994. Originally proposed partly as a way to fill a scheduling gap in Glasgow Royal Concert Hall’s post-Christmas period, Celtic Connections is now a major event in Scotland’s cultural calendar.

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