New Music Reviews
Imagining Ireland, Barbican review - raising women's voicesMonday, 24 February 2020
Recent politics surround the EU and nationhood, fantasies of Irish Sea bridges and trading borders more porous than limestone have revived the granular rub between Eire and Britain, and the Celtic Tiger cool of the Nineties is a history module these days. Read more... |
Reissue CDs Weekly: Bona RaysSunday, 23 February 2020
For record buyers, Bona Rays left limited evidence for their existence. One single was issued by the aptly named Mystery Records in 1981. Pressed in a limited quantity by the independent facility Lyntone, it featured “We're Never Going to Miss You”, a poppy new wave outing with funky bass and stabs of synth, and “Catch 22”, a more up-tempo track which came across as an attractive combination of Pink Military and Teardrop Explodes. Read more... |
Supergrass, Barrowland, Glasgow review - nostalgic reunion proves greatest hits stand test of timeSaturday, 22 February 2020
As Gaz Coombes noted around the halfway point of Supergrass’s Barrowland set “the last time we were here it was to say goodbye”. That was a decade ago, when one of Britpop’s most enduring acts finally headed into the sunset. Nothing lasts forever in pop though, and here were Oxford’s finest, back onstage, and looking in fine fettle. Read more... |
Napalm Death, O2 Institute, Birmingham review - the Grindcore progenitors hit the spotFriday, 21 February 2020
While it is only right that Birmingham is finally getting well-deserved credit as the well-spring and self-proclaimed Home of Metal, the media coverage of the Midlands’ place in musical history might lead anyone to think that this particular story both began and ended with the mighty Black Sabbath. Read more... |
Cage the Elephant, O2 Academy, Glasgow review - old-fashioned rock n' roll from Kentucky sextetWednesday, 19 February 2020
Matt Shultz was clearly taking no chances. The Cage the Elephant frontman appeared onstage underneath a large umbrella, presumably bought to cope with the day’s deluge of rain. In the ever effervescent Shultz’s hands it was swiftly used as a prop, kickstarting a lively evening of old fashioned rock 'n’ roll. Read more... |
Sam Lee, EartH Hackney - capturing the spirit of the momentTuesday, 18 February 2020
Sam Lee has a strong, richly resonant and recognisable voice – and equally strong beliefs. His album Old Wow has really caught the spirit of moment: it is already being hailed as folk album of the year, even the decade, and last night’s gig at EartH in Hackney, the London leg of the album launch tour, was packed. Read more... |
The Murder Capital, QMU, Glasgow review - Dublin outfit find catharsis through pummelling songsMonday, 17 February 2020
It might have been 24 hours after Valentine’s Day, but James McGovern still seemed to have a touch of romance in his head. At one stage during the Murder Capital’s bruising set he referenced his floral-patterned shirt as evidence that he was feeling the spirit of the previous day, and perhaps that should not surprise, for the Murder Capital are a band with plenty of heart. Read more... |
Album: Lanterns On The Lake - Spook The HerdMonday, 17 February 2020
Spook The Herd concludes with “A Fitting End”. In a cracked, reflective voice, Hazel Wilde sings: “I want a door to the Nineties…what a fitting ending, what a perfect scene.” By hoping for a portal into the recent past, it seems an attempt is being made to escape into – or even bring back – times when there was less negativity to deal with than today. A form of nostalgia maybe. Or a criticism of where things are now. Read more... |
Reissue CDs Weekly: The Honeycombs - Have I The Right? The Complete 60s Albums & SinglesSunday, 16 February 2020
August and September 1964 were golden months for Pye Records. The Kinks hit number one on the British charts in September with “You Really Got Me”, their third single for the label and the group’s first success following two flop 45s. Read more... |
theartsdesk on Vinyl 56: Kreator, Lee "Scratch" Perry, Disney, Twin Atlantic, Elton John, Buddy Rich and moreSaturday, 15 February 2020
Welcome to the biggest plastic reviews party on earth. Now that vinyl is steadily successful as niche musical medium, some have rightly been considering its environmental impact. Perhaps the best overview is given by Kyle Devine’s feature in the Guardian, which is well worth checking (please come back if you do!). Read more... |
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