sat 04/10/2025

New Music Reviews

Album: Lucidvox - That's What Remained

Kieron Tyler

That's What Remained is the aural equivalent of being pulled into a maelstrom and then surrendering to this powerful natural force. Initially, it does not seem safe. But it soon becomes apparent that submission isn’t a problem. It will be fine. Emerging from this experience is accompanied by a shakiness. But that’s OK too.

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Ben Folds, Royal Albert Hall review - piano pyrotechnics and modern musings

Bernard Hughes

When Ben Folds emerged in the mid-90s he was like Billy Joel’s snot-nosed little brother: another virtuoso pianist and songwriter but one whose style was sarcastic, subversive and a little bit punky.

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Hiromi's Sonicwonder, EFG London Jazz Festival, Barbican review - keyboard fireworks from a brilliantly versatile jazz pianist

Rachel Halliburton

To watch virtuoso jazz pianist Hiromi perform is to experience a vast weather system of sound; at some moments exuberant hailstorms of notes alternate with thunderous chords, at others, sombre atonal passages resolve into a burst of sunshine.

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theartsdesk on Vinyl 80: Nanci Griffith, Scuba, Dope Lemon, Aerosmith, Bob Marley, Pharoah Sanders and more

Thomas H Green

VINYL OF THE MONTH

Being Dead When Horses Would Run (Bayonet)

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Jambinai & Leenalchi, Southbank Centre review - contrasting faces of contemporary Korean music

Tim Cumming

Friday’s double-header at the Queen Elizabeth Hall on the Southbank was not only one of the final gigs in this year’s K-Music Festival – entering its tenth year with an eclectic range of Korean artists and bands performing across London and beyond – but also one of the launch gigs for this year’s EFG London Jazz Festival, now entering its 31st year.

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Music Reissues Weekly: Incident at a Free Festival

Kieron Tyler

“We got to play Stonehenge Festival when it was like just a field, a generator and stage. No rip-off burger joints. No packaged new age culture. Just good British hippiedom. A bunch of scruffy, dirty, bean-burger-eating, spliff-making hippies, and in the middle, a bunch of Hell’s Angels.”

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Korea On Stage, OVO Arena Wembley review - a symphony of lights, beats and empowerment

peter Quinn

Choruses rocked, choreo popped, and thousands of light sticks danced in unison, as an incredible lineup of nine acts lit up this fourth edition of Korea On Stage, celebrating 140 years of UK-Korea relations.

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Album: Bas Jan - Back to the Swamp

Kieron Tyler

Margaret Calvert's creations are never far. She set the rules for the design of Britain’s road signs, as well as drafting typography and graphics for national, regional and local rail signage. Back to the Swamp’s fifth track “Margaret Calvert Drives Out” features the lyrics “maximum information conveyed by minimum means, triangles for warning, circles for limits, blue for instructions, green for directions.”

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The Chemical Brothers, Utilita Arena, Birmingham review - rave veterans play a blinder

Guy Oddy

Since first coming together in 1989, The Chemical Brothers have done more than enough to earn their place in the Pantheon of Rave Legends. They may not have been there at the birth of Acid House, but six number one albums, 13 top 20 singles and six Grammy awards is nothing to be sniffed at – especially for a couple of nerdy blokes who basically push buttons on boxes of electronic gadgets.

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Music Reissues Weekly: When the Alarm Clock Rings - A Compendium of British Psychedelia 1966-1969

Kieron Tyler

“How psychedelic is your pop? This is the demanding question posed to many groups today, struggling for acceptance. It's no longer any good to say: ‘Well, mate, we can play Wilson Pickett, James Brown and all that gear,’ to anybody contemplating booking a band. One has to explain whether one is likely to set fire to the auditorium, or batter the audience’s senses with flame, light and fiendish noises.”

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