New Music Reviews
Music Reissues Weekly: Chelsea - The Step-Forward YearsSunday, 10 December 2023
On 21 June 1977, listeners to John Peel’s radio show heard a song titled “Pretty Vacant.” It wasn’t a preview of the forthcoming Sex Pistols single of the same name, which would be in shops on 2 July, but a different song. The band lifting the title was Chelsea, a UK punk outfit whose first single, “Right to Work,” had been released on 3 June. Read more... |
Music Reissues Weekly: Myriam Gendron - Not So Deep As A WellSunday, 03 December 2023
Myriam Gendron's debut album Not So Deep As A Well was originally released in 2014 by Feeding Tube, a US label run by the prominent music writer Byron Coley. When it came out, he wrote that she was a “wonderful if spectral guitarist and singer, whose signature sound was as light as it was intoxicating. This album glows with holism and is one of the most beautiful evocations of times past and present and future you will hear this year.” Read more... |
Album: Shirley Hurt - Shirley HurtSaturday, 02 December 2023
The realisation that Shirley Hurt is the name assumed by Canada’s Sophia Ruby Katz for recording helps explain why her debut album is so oblique. As well as the cloaked identity, what seem initially to be direct songs cleaving to familiar musical forms have winding structures which don’t end up where they seem to be heading. Similarly, the lyrics are tough to parse. Read more... |
CMAT, Barrowland Ballroom, Glasgow review - an evening of exuberanceMonday, 27 November 2023
There was a moment towards the end of this exuberant evening when Ciara Mary-Alice Thompson compared the show to a pantomime. This was an extremely apt comparison, in a good way, for alongside the singing and dancing there was a helping of cheeky raised eyebrow wit, lashes of audience participation and even the usage of unexpected props. Read more... |
Album: Harp - AlbionMonday, 27 November 2023
After leaving Midlake while recording their fourth album, Tim Smith said he was pursuing music under the name Harp. That was in 2012. Smith had been the Denton, Texas-based band’s singer and main songwriter. Without him, Midlake pushed on and issued 2013’s still-stunning Antiphon album. Read more... |
This Is The Kit, Barbican review - familiarity and charmSunday, 26 November 2023
Coming at the end of a long year’s gigging, This Is The Kit’s performance at the Barbican on Saturday night was an excellent demonstration of the whole band’s familial, compelling musicianship. Read more... |
Music Reissues Weekly: Soft Cell - Non-Stop Erotic CabaretSunday, 26 November 2023
"Both of us have always enjoyed listening to dance music, and we wanted to interpret disco in our own way. We wanted to make good quality soulful electronic dance music, more biting than the usual bland disco stuff. We wanted to make records that would stand out in a disco and that you could listen to in your own bedroom." Read more... |
Nikki Iles featuring the NDR Bigband, EFG London Jazz Festival, Cadogan Hall review - boundless artistry in harmonyWednesday, 22 November 2023
When a musical jeweller with an imagination of remarkable aural refinement meets a jazz orchestra which combines playing of super-fine precision and warmth with a total commitment to the music’s singular ebb and flow, remarkable things can happen. Read more... |
Greta Van Fleet, OVO Hydro, Glasgow review - all rock and very little rollWednesday, 22 November 2023
If nothing else, you couldn’t accuse Greta Van Fleet of short-changing fans when it came to costumes or pyro. It felt like every few minutes the Michigan throwback rockers frontman Josh Kiszka was disappearing offstage, only to reappear in a variety of jumpsuits or robes, while roasting flames regularly shot up from behind the four piece. Read more... |
EFG London Jazz Festival 2023 round-up review - vital sparks crossing and uniting generationsTuesday, 21 November 2023
Start with the biggest gig of this year’s EFG London Jazz Festival: Angélique Kidjo’s Royal Albert Hall show definitely stays in the mind. Part of the story is the earth-shaking power and resonance of the voice of the "Queen of African music" which transforms the Royal Albert Hall magically into an intimate space. Read more... |
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