fri 10/10/2025

New Music Reviews

Reissue CDs Weekly: The Beach Boys

Kieron Tyler

The Beach Boys signed with Capitol Records on 24 May 1962. Early the next month, their first single for the label became “409”/”Surfin’ Safari”. It was not their debut release. The “Surfin'”/ “Luau” single had been issued in November 1961 by Candix.

Read more...

theartsdesk on Vinyl: Volume 20 - Ramones, Freddie Mercury, Pet Shop Boys and more

Thomas H Green

Once again theartsdesk on Vinyl returns to offer a round-up of the very best available on plastic, covering every style imaginable and, this month, a few that have to be heard to be believed. From albums to 7” singles to boxsets, all vinyl life is here. The ultimate vinyl reviews selection.

Various Eleven into Fifteen: a 130701 Compilation (130701)

Read more...

Prom 61: Kamasi Washington

Matthew Wright

Californian saxophone phenomenon Kamasi Washington is never knowingly understated. He rocked up for his Proms debut on Tuesday night having led a vast musical entourage on tour across Europe all summer, and delivered an ecstatic, if occasionally verbose, statement of intent. There were problems with both the performance and one or two of the compositions. But as a live experience, it was, in places, euphoric. Only a determined curmudgeon could leave without a grin.

Read more...

Björk Digital, Somerset House

Tina Edwards

Australia and Japan were first to host Björk Digital, but it lands at London’s Somerset House with fresh, never-before-seen work. The immersive virtual reality exhibition collates several digital- and film-based works born from Björk's critically acclaimed album Vulnicura.

Read more...

theartsdesk at Shambala Festival 2016

Caspar Gomez

The Short Version

Read more...

Reissue CDs Weekly: Judy Henske & Jerry Yester

Kieron Tyler

In 1969, a tranche of American musicians looked back to the country’s past for inspiration. Bob Dylan followed John Wesley Harding with Nashville Skyline. The Band’s eponymous second album hit the shops. The Flying Burrito Brothers debuted with The Gilded Palace of Sin. The rootsy was a default. But choosing to draw on country and Appalachian traditions did not have to mean playing it straight.

Read more...

Prom 49: Quincy Jones Prom, Royal Albert Hall

Andrew Cartmel

As I waited outside the entrance to the Royal Albert Hall, someone leaned over to me and said: “My cocaine is to your left.” I glanced in that direction and realised they’d actually said “Michael Caine is to your left”, and indeed he was, on his way inside to hear a prom devoted to music by his old friend Quincy Jones.

Read more...

Reissue CDs Weekly: Betty Davis, Jeanette Jones

Kieron Tyler

Despite their different paths in the Seventies, the final years of the Sixties saw parallels between Betty Davis and Jeanette Jones. Both soul singers had significant backing from music business insiders. Late in the decade, each had a discography limited to one unsuccessful single. They worked as models.

Read more...

Reissue CDs Weekly: Heartworn Highways

Kieron Tyler

Although Heartworn Highways was a unique document of a collection of country singer-songwriters who had rejected the Nashville establishment in favour of following their own paths, hardly anyone saw the film after its completion. Initially titled New Country, it was first seen at a Los Angeles film festival in 1977. Renamed Outlaw County, it was then screened in Muncie, Indiana and Flint, Michigan.

Read more...

Prom 36: Jamie Cullum Prom

Peter Culshaw

Jamie Cullum has been perceived as the Tim Henman of Jazz. Talented, technically great, a successful career, excellent voice and top-notch pianist, and a nice guy you could take to tea with your mum, but not really challenging or world-beating. Yet there were interesting flashes of greatness in last night’s concert.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...

In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....

Emily A. Sprague realises a Japanese dream on 'Cloud Ti...

The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s...

R:Evolution, English National Ballet, Sadler's Wells re...

As the new season opens, confidence is high at ENB, just as it...

Trio Da Kali, Milton Court review - Mali masters make the an...

Trio Da Kali are griots, and their traditional role in...