New Music Reviews
Florence + the Machine, Alexandra PalaceTuesday, 22 September 2015
There’s a new book out called Red: A Natural History of the Redhead, which gets to the heart of what it is to have the ginger gene, be it Boudicca or Jessica Rabbit. It says coppertops are more prone to bee stings, and perfume gives off a different odour on their skin. And then there are the more hackneyed ascriptions: flaming hair implies fieriness, wildness, total and utter otherness etc. Read more...
|
Reissue CDs Weekly: FacesSunday, 20 September 2015
|
theartsdesk on Vinyl: Volume 9 - Queen, On-U Sound and moreFriday, 18 September 2015
The New York Times recently wrote that, “For the music business over all, vinyl is still a niche product, if an increasingly substantial one.” How substantial is slowly becoming clear with dramatic rises in vinyl consumption over the last year. The biggest pressing plant in Europe, in the Czech village of Lodenice, last year produced 14.5 million records, while across the US during the same period 13 million were sold, with around 50% of the buyers under 35. Read more... |
Courtney Pine, Ronnie Scott'sFriday, 18 September 2015
Courtney Pine’s Caribbean-flavoured album House of Legends was released three years ago, and it says a lot that he’s still touring it. This riotously melodic collection of ska, soca and calypso, embellished with some scorching solo work, has certainly proved popular, as the latest sell-out run at Ronnie’s testifies. Pine cheerfully apologised for a lack of CD’s to sell at the gig: they’ve all been sold. Read more... |
Jambinai, Rich MixThursday, 17 September 2015
For three unassuming musicians, sitting cross-legged in a row, Korean folk-noise fusion band Jambinai’s London debut last night was seismic. With an ambitious project to integrate the techniques and idioms of traditional Korean folk with a blend of noise-rock, drone-rock and electronic music, they gave a concert that was, from the moment the grinding drone of the geomungo started yawing through the crowd, utterly distinct and original. Read more... |
Reissue CDs Weekly: Pere UbuSunday, 13 September 2015
|
Kasse Mady Diabate, Queen Elizabeth HallSunday, 13 September 2015
Not many concerts at the Queen Elizabeth Hall culminate in a string of beautiful African women sashaying down the aisles to the stage to press fivers and tenners upon the still-crooning singer. After taking their hands in turn, as if in benediction, Kassy Made Diabate turned and dropped the fistful of notes at the feet of his ngoni player. Read more... |
Orchestra Baobab & Blick Bassy, RFHSaturday, 12 September 2015
Africa Utopia at the Southbank Centre is back for its third year with a raft of concerts and events, and for Friday night Senegal's Orchestra Baobab returned to the UK for the first time in three years, one of the great names of the post-independence African renaissance. They were joined by a young French-Cameroonian artist, Blick Bassy (pictured below), who was coming to London for the first time with his debut album Ako. Read more... |
Reissue CDs Weekly: The London American Label – 1966Sunday, 06 September 2015
|
Heartless Bastards, BorderlineWednesday, 02 September 2015
Some consider Heartless Bastards to be the best band you’ve probably never heard of – albeit blighted by an awful name. Others say the Texas-based four-piece are merely a jumped-up garage band. Wherever you stand, though, one thing is beyond dispute – the awesome power of Erika Wennerstrom’s voice. For much of last night she sounded like the love child of Robert Plant and Janis Joplin. Read more... |
Faces: You Can Make Me Dance, Sing or Anything… 1970–1975
Pere Ubu: Elitism for the People 1975–1978
Various Artists: The London American Label Year by Year – 1966Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
The Penguin, Sky Atlantic review - power, corruption, lies a...
Is there no limit to the number of times the comic book heroes and villains from Marvel and DC can be recycled? HBO’s The Penguin (...
The Cabinet Minister, Menier Chocolate Factory review - spar...
The stock of the late 19th century playwright...
Il trittico, Welsh National Opera, review - welcome back (bu...
This revival of Puccini’s Trittico a mere three and a half months after it was first shown on the Millennium Centre stage seems to bear...
Album: The Smile - Cutouts
The Smile’s second album Wall of Eyes, released in January, is a thrillingly discomfiting album by Radiohead alumni Thom Yorke and Jonny...
A Face in the Crowd, Young Vic review - lame rehash of a 195...
It’s hard to work out why Kwame-Kwei Armah chose to end his tenure at the...
Elisabeth Leonskaja, Wigmore Hall review - a universe of so...
Wonders never ceased in Elisabeth Leonskaja’s return to the Wigmore Hall. Not only did she play Schubert’s last three sonatas with all repeats and...
Megalopolis review - magic from cinema's dawn
“What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis...
The Snowmaiden, English Touring Opera review - a rich harves...
Just as the first autumn chills began to grip, English Touring Opera rolled into Hackney Empire with a reminder that the sun – “god of love and...
Andsnes, London Philharmonic Choir and Orchestra, Gardner, R...
If there was ever a time for the inevitable "Rach Three” (piano concerto, not symphony) in the composer’s 150th anniversary year...
Music Reissues Weekly: Why Don’t You Smile Now - Lou Reed at...
The Velvet Underground first played before an audience on 11 December 1965. A year earlier, their two founder members Lou Reed and John Cale were...