fri 19/04/2024

New Music Features

theartsdesk at the Savannah Music Festival, Georgia

Martin Longley

The name of the Savannah Music Festival might sound somewhat vague in these days of specialist events, but this is an (almost) three-week sonic orgy which treats all styles equally, blending classical beside bluegrass, jazz next to African, and country side-by-side with the blues. Multiple venues are used, some more than others. All of them are within easy walking distance, around the centre of this historically-attuned southern States city.

Read more...

Prince, 1958-2016

joe Muggs

Prince Rogers Nelson was the most gloriously disruptive presence in popular culture from the very start to the very end. Everything about him was off kilter and wrong: it's not for nothing that the first major biography of him was called The Imp of the Perverse. His songs were full of deranged filth, skewed social comment with a conspiratarian edge, had a very individualist take on Jehovah's Witness spirituality and mysticism, and all manner of personal cyphers and in-jokes....

Read more...

theartsdesk in Estonia: Tallinn Music Week 2016

Kieron Tyler

“If we want to keep this free and democratic Europe of ours free and democratic, we must enlist ourselves, our skills and our commitment to liberty and justice. The problems we face are too great to simply say let the politicians do it.

Read more...

theartsdesk at WOMADelaide

Martin Longley

Since its UK debut in 1982, the WOMAD festival (World Of Music, Arts & Dance) followed its uncertain first steps and early threat of bankruptcy with a swift consolidation and expansion. By the time its first decade had passed, WOMAD was busy spreading around the globe, spawning alternative manifestations in Spain, Italy, New Zealand and the UAE.

Read more...

theartsdesk at Tectonics Festival, Adelaide

Martin Longley

The Tectonics festival concept began in Iceland, 2012, created by the Israeli conductor Ilan Volkov. Although, loosely speaking, it’s concerned with a modern classical programme, there’s a peculiar aspect to Volkov’s orientation that lends a special quality.

Read more...

10 Questions for Musician Tad Doyle

Guy Oddy

Tad Doyle was the mainman in grunge first-wavers Tad, who helped to put Seattle firmly on the rock’n’roll map in the late ‘80s with such fine discs as God’s Balls, Salt Lick and 8-Way Santa.

Read more...

James Burns – Let’s Go To Hell: Scattered Memories of the Butthole Surfers

Guy Oddy

During the ‘80s there was no US rock band that hoisted its freak flag higher than the Butthole Surfers, and certainly none that put out albums of the stature of Locust Abortion Technician and Hairway to Steven in such quick succession.

Read more...

Brighton Festival 2016 Launches with Guest Director Laurie Anderson

Thomas H Green

The Brighton Festival 2016, which explodes into life again this year on Saturday May 7, has revealed its programme.

Read more...

theartsdesk in Groningen: Uniting Europe with Music

Kieron Tyler

The nature of Europe, its administration, institutions and its porousness are hot topics. Sectors of Britain’s media and political class hyperventilate over trumped-up concerns while real issues which are just about impossible to address remain unresolved. In this climate, the European Border Breakers Awards are ripe for misinterpretation.

Read more...

David Bowie: Unforgettable and Unrepeatable

theartsdesk

If each man's death diminishes us, we're all about a foot shorter today. When Elvis Presley died, his manager Colonel Tom Parker said "this won't change anything!", and he promptly set about ensuring his client's immortality by turning him into a production line of merchandise and memorabilia. This won't happen to David Bowie, because he had already seized control of his own myth.

Read more...

Pages

latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...