CD: Liam Gallagher - As You Were

Former Oasis and Beady Eye frontman looks to the future, but remains steeped in the past

share this article

Liam is as Liam was

When Liam Gallagher turns up with an album in tow, no one is expecting "Jazz Odyssey". You wouldn’t call a plumber to turf your lawn, and you wouldn’t ask ISIS to explain the dynamics of intersectionality. Similarly, you wouldn’t expect the former Oasis and Beady Eye frontman to deliver anything other than Beatles-inflected rock stompers. 

For the most part that’s exactly what you get. I stopped counting Fab Four references when I ran out of digits, but lyrically, there are nods to “Helter Skelter”, “All Things Must Pass”, “Happiness is a Warm Gun” and “Run For Your Life” among many others, and the influence – of course – continues into the tunes. The most striking of the musical flashbacks is Liam’s mea culpa, “For What It’s Worth”, which sees him aping Oasis aping the Beatles. If it were Noel doing this, you might suspect he was being knowingly cute, with Liam, it’s… less certain. 

The high points come in the songs that bookend the collection, and it’s here that we see the fruit born by Liam’s songwriting partnership with the Grammy-winning producer Greg Kurstin, who also brings a much bigger sound to bolster the proceedings. “Wall of Glass”, mercifully stripped of its crashingly literal video interpretation, is punchy, sharp and generally fit for purpose. “Bold” comes wrapped in rich, filmic swathes of guitar and “Greedy Soul” has a pace and touch that lifts it beyond the plodding thud rock we might have anticipated. 

Meanwhile, near the exit, “Come Back To Me” sees Gallagher sounding not unlike Bob Dylan backed by Ringo with a truly excellent piano riff to sweeten the deal as the song fades. Meanwhile, if you’ve ever wondered what the Auf Wiedersehen, Pet theme tune “Breaking Away” would sound like if covered by the Beta Band, penultimate track “Universal Gleam” is the answer. Three listens in and it might well be my favourite thing here. 

The rest of it is unremarkable at best and, of course, the lyrics are, in places, awful, but As You Were still rates as the best thing that Liam Gallagher has been involved in for the larger part of two decades. There’s precious little danger of any new converts, but the Stone Island disciples will see this as a second coming of sorts. 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
If it were Noel doing this, you might suspect he was being knowingly cute, with Liam, it’s… less certain

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

The former Talking Heads singer mixed old and new alike in a compelling show.
An assured third album from the acclaimed singer songwriter
Significant box-set examination of an important strand of America’s pre-grunge musical landscape
A serial and prolific collaborator finally steps into the spotlight, full of life lessons
The 'Dunboyne Diana' mixed great songs with star power and cheeky humour
After a six-year hiatus, Morrissey's still at odds with the world
London-based goth-rockers seek solace from concerns about where the world is heading
Difford and Tilbrook reanimate songs they wrote as teenagers, with mixed results
Thought-provoking primer in US pop’s varied pre-psychedelic musical landscape
A love letter to the women who changed music forever