pop music
Jonathan Geddes
Caution is evidently needed when moving around at a Pins gig. A woman who wandered off to the bar or the toilet returned and appeared slightly startled to realise the group's singer Faith Vern was now among the crowd, complete with microphone stand and considerable swagger. It wasn't even the first time the band had wandered among the faithful, as guitarist Lois MacDonald had gone for a stroll early on, taking care to not bump any punters with her guitar in the process.Such interaction is one of the advantages of being in a sweatbox like Nice N' Sleazy, a location that was fairly busy but is Read more ...
Thomas H. Green
By the time Marina Diamandis reaches “Cuntissimo”, Birmingham’s O2 Academy is a sing-along sauna. We’re squeezed in like rice in vine leaves, drenched in human juice. Attempts to dance are restricted to meagre hip wiggles and hands waved above the head. No-one seems to care. The outrageous, pop-ballistic single of last year hits the desired chord. “Your ex is hitting you up,” Marina sings, and holds the mic towards us all. “BUT YOU NO LONGER GIVE A FUCK!” the place roars as one.Marina is that curiosity, a cult female star making pop music. Unlike most female pop stars of her longevity, she’s Read more ...
Bernard Hughes
Sathnam Sanghera’s previous books have included a memoir about growing up Sikh in Wolverhampton, and two acclaimed (and very good) accounts of colonialism – so it wasn’t entirely obvious that his next should be a meditation on the life and work of popstar George Michael. But Sanghera, a fan since childhood, sets out to investigate Michael through a number of lenses (including those of “Queer Icon” and “Celebrity”) and to interrogate his own complicated relationship to the star. Not a biography, it instead often feels like an (over)extended magazine feature (Sanghera writes for The Times), but Read more ...
Kieron Tyler
“Promise me delight” is a tantalising entreaty. One which – in its particular way – this captivating 17-track compliation delivers on. Promise Me Delight - Italo Disco and European Pop from the Golden Age digs into what its title articulates, with the golden age in question spanning 1982 to 1988, with an emphasis on 1983 to 1986.A specific form of Continental European pop is celebrated. One which was dancefloor oriented, with electropop leanings and an emphasis on tunes as much as on atmosphere and rhythms designed to move body and feet. Not much of this pulse-quickening, often-fervid, almost Read more ...
Tim Cumming
There’s been quite a breadcrumb trail leading up to the release of Paul McCartney’s 20th solo album, The Boys of Dungeon Lane – a The Rest is History podcast recorded at Abbey Road, interviews galore, and the expectation of an octogenarian McCartney delving into the deeper end of his past (almost a decade after he released Memory Almost Full).Thus the Dungeon Lane of the title – a local boyhood hangout for McCartney, a kind of second-tier Penny Lane. Recorded between tours over a period of five years, the 14-song album is packed with tunes and melodies brought together in a busy rush of songs Read more ...
Kieron Tyler
Really Into Somethin' - Brit Girl Sounds and Styles 1962-1970 is an explicitly titled 89-track, three-CD clamshell box set. Take one of its terrific tracks at random: Adrienne Poster’s “The Way You do the Things You do.” A February 1965 B-side, it’s a cover version of the Temptations’ US hit. Recognisably a British production it, at this remove, sounds like a UK chart certainty. There had, though, already been a British adaptation issued a month earlier by Elkie Brooks, hence the B-side status for Poster’s version. Neither single was a best seller.
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Adam Sweeting
Melbourne’s petite popstrel Kylie Minogue zoomed to superstardom in the late Eighties, with her celebrity from Aussie TV soap Neighbours helping to boost her spectacular recording career under the manipulative auspices of the Stock, Aitken and Waterman hit factory. Apocryphally, her debut UK Number One hit "I Should Be So Lucky" was knocked together in a brisk 40 minutes, though, interviewed here in director Michael Harte's compelling three-part documentary, Pete Waterman insists it took all of two hours.Suddenly Kylie was a pop phenomenon, banging out chartbusters as easily as some people Read more ...
Thomas H. Green
Maisie Peters is a singer-songwriter from Sussex who’s 26, next week, and is a protégé of Ed Sheeran (she’s on his Gingerbread Man label). If you’re younger than her, you’ve likely never heard of her, but her last album, The Good Witch, was a chart-topper, and the one before that, her 2021 debut, only stalled at No. 2. She has a devoted fanbase.Her third album is lyrically impressive, if lacking musical heft. Her default musical mode is over-airy acoustic songs, carefully painted with warm electronic production, occasionally rising to a pulse that’s faintly danceable. What she does has much Read more ...
Thomas H. Green
Drake just released not only his expected ninth album, Iceman, but another two albums, Maid of Honour and Habibti. Forty-three songs. Two-and-a-half hours of music. And a trying listen for anyone with a soul.Drake is the one of the world’s most successful male pop stars. This is troubling, but it makes sense. He’s admired, in our capitalism-as-religion age, as much for his social media reach and business acumen as his art. “I’m not a people-pleaser, bro’, I’m a CEO,” he burbles over the horizontal chillage of “White Bone”. That’s about right. He’s a figurehead for the romance-free, the Read more ...
Ellie Roberts
The All-American Rejects are back with their first album in 14 years, and their first ever independent release. At the height of their success in the early 2000s, the band had an established place in the pop rock landscape, one foot in emo culture and the other heading into the mainstream, but halted before they inevitably became too radio ready. Their return follows a string of free backyard pop-up concerts, a symbol of their intention to get back to their roots, American kids making fun, high octane rock, and Sandbox is a clear continuation of this energy.With a catalogue of timeless Read more ...
Thomas H. Green
VINYL OF THE MONTH 1Simo Cell & Abdullah Diawy Dying is the Internet EP (Dekmantel) + Simo Cell FL Louis (TEMƎT)
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Where house music has drifted to conservatism, becoming predictable and dull, some electronic producers are still creating dancefloor-adjacent music that rips. One of the very best is French machine-freak Simo Cell. His wonked-out bangers defy definition. He’s been Vinyl of the Month before, with his Yes. DJ EP, back in 2021. These two new releases are also essential. The first, via Amsterdam’s Dekmantel organization, is Read more ...
Nick Hasted
Billie Eilish’s second concert film joins a newly lucrative genre, following Taylor Swift: The Eras Tour’s $267 million box-office. Both are marketed as participatory filmgoing, turning cinemas into cut-price venues where fans can relive or imagine communing with their heroes. James Cameron’s co-direction with Eilish in his favoured 3D format adds supposed stature, but this remains incurious star-sanctioned product. Eilish is the visual opposite of Swift’s traditionally glamorous feminine persona. The latter’s arch, “Oh, hi!” as she opened her Eras act in silver and red showgirl finery Read more ...