Why do production companies think the world needs yet another reconstituted TV drama involving famous people in infamous situations? Newspapers and non fiction books already do a great job of telling these stories of intrigue and scandal: why is a TV adaptation a viable improvement?

“Let the train take the strain”, as the old advertising slogan urged us. The train in this six-part drama has to soak up a whole world of strain, as it’s taken over by cyber-hijackers who demand a huge ransom before they’ll consider relinquishing their technological grip.

Based on the novel by Elin Hilderbrand, The Perfect Couple is an expensively-dressed fable about a lavish wedding in Nantucket, the desirable island paradise off Cape Cod, which on this evidence is an enclave of conspicuous wealth and gross moral turpitude. The tale is an Americanised version of the good old country house mystery, and behind the superficial veneer of fabulous homes and expensive boats lurks a hinterland of avarice and cruel intentions.

Like the BBC’s documentary series The Yorkshire Ripper Files before it, the French six-part drama Sambre on BBC Four is more than a grim rerun of an extended crime spree. On trial, too, are the forces that allowed the crimes to continue – here, for an incomprehensible 30 years.

The ancient Greeks would probably have liked a lot about Charlie Covell‘s manipulation of mythic material. After all, Euripides was prepared to have a laugh about the notion of Helen whisked off to Egypt while a phantom version wrought havoc in Troy. Helen doesn’t figure in this mostly modern-dress gods-vs-humans drama, but so many other legendary figures do, as well as several you probably won’t have heard of.

News reaches us that Gary Oldman has mysteriously been vetoed from playing George Smiley in a new film version of Smiley’s People, despite his Oscar-nominated performance as John le Carre’s wiley spymaster in 2011’s Tinker Tailor Soldier Spy. Oldman’s people have described this decision as “the damnedest thing”.

The first series of James Graham’s Sherwood, shown in June 2022, introduced us to the Nottinghamshire town of Ashfield, a former mining community devastated by pit closures and the miserable aftermath of the 1984 miners’ strike. The town was torn by personal and political feuds, and the murder of former miner Gary Jackson was like throwing gasoline on long-smouldering embers.

It seems cricketer-turned-TV star Freddie Flintoff was lucky to survive his crash in a Morgan three-wheeled roadster in December 2022, and his recuperation has been painful and traumatic. As he explained in the opening episode of his second Field of Dreams series, the accident, which occurred during filming for Top Gear, is going to have long-term consequences. “I struggle with anxiety. I have nightmares, I have flashbacks. It’s been so hard to cope with.”

This heist-orientated black comedy could appeal to fans of the likes of Steven Soderbergh’s Ocean’s Eleven or the same director’s Out of Sight, without ever quite matching their zip and sparkle. But there are enough loud bangs and big bucks to provide an entertaining night in (presupposing there are suitable lubricants to hand), though you wouldn’t think so from some of the ferociously negative reviews it’s been receiving.

The music scene on the New Jersey shore in the late Sixties and early Seventies must have been a thing of wonder, a kind of Merseymania-on-Sea. Its mix of soul, R&B and primitive rock’n’roll fuelled countless groups, not least Southside Johnny and the Asbury Jukes and eventually Bruce Springsteen’s E Street Band. Stevie Van Zandt was a key member of both of those outfits.