fri 01/08/2025

Film Reviews

Ran

Tom Birchenough

Even by the varied experiences of transferring Shakespeare to another culture, with the attendant revelations that come when an original story is modified to match a world governed by very different priorities, Akira Kurosawa’s Ran is virtually in a class of its own.

Read more...

The Club

Tom Birchenough

The Chilean director Pablo Larrain completed his loose trilogy about his country confronting the legacy of its Pinochet years four years ago with No. Striking a distinctly upbeat note after the two films that had preceded it, Tony Romero and Post Mortem, its title came from the unexpected referendum result that deprived the dictator of an anticipated extension of his mandate, and was seen through the story of the advertising men behind that epoch-changing vote.

Read more...

Welcome to Me

Saskia Baron

These are sensitive times when it comes to playing anyone on screen with a mental health condition, particularly when it’s a comedy with Kristen Wiig. But Welcome to Me pulls it off, skittering nimbly along a tightrope between offensiveness, surreal humour and mawkishness.

Read more...

Batman v Superman: Dawn of Justice

Adam Sweeting

Amazing, isn't it, how the good ol' comic book is inexorably swallowing the planet. With the Marvel empire running rampant through all media, DC Comics are racing to catch up with their DC Extended Universe. It debuted with Zack Snyder's Man of Steel in 2013, and continues here as Snyder returns to helm this bloated yarn of superheroes at loggerheads.

Read more...

Experimenter

Holly O'Mahony

If an authority figure ordered you to inflict pain on another person, to what extent would you comply? That is the subject of Experimenter, which focuses on Stanley Milgram's controversial obedience experiment. Unable to secure a theatrical run in the UK, writer-director Michael Almereyda’s urgent biographical drama, which had its premiere at Sundance last year, is now available on DVD and for digital download.

Read more...

Speed Sisters

Veronica Lee

It’s a fair bet that when Lewis Hamilton and his Formula One colleagues are driving to practice sessions they don’t have to queue for 90 minutes at a military checkpoint. This was just one illuminating vignette of the daily grind shown in Amber Fares’ interesting documentary about a group of Palestinian female car-racers, the first all-women team in the Arab world.

Read more...

Mojave

David Kettle

When a film’s two leads start debating George Bernard Shaw in the middle of a fight to the death, you know you’re in trouble. In fact, Shakespeare, Byron, Melville, Rimbaud and plenty more all get namechecked in William Monahan’s pretentious doppelgänger thriller. With a bit more flair and wit, and a little less sententious self-importance, Mojave could have ended up as an outrageously entertaining parody. Instead, it just feels self-obsessed and disappointingly mundane.

Read more...

Risen

Jasper Rees

It’s unbelievable how hard it is to retell the greatest story ever told. And yet dramatists still feel the urge. The BBC had a big Easter binge a few years ago with the Ulster actor James Nesbitt playing a sort of Prodius Pilate. Now here’s a film financed by producers of a missionary bent. It’s called Risen and it’s essentially a sermon disguised as a sword-and-sandals epic.

Read more...

High-Rise

Nick Hasted

Dr Robert Laing (Tom Hiddleston) feels he’s “living in a future that had already taken place”. Director Ben Wheatley, too, has made a late-arriving Seventies exploitation pic from JG Ballard’s 1975 novel. High-Rise is a highly sexy and violent look through a distorting lens at both that familiar past, and the way we live now.

Read more...

Marguerite

Tom Birchenough

You may never have heard of Florence Foster Jenkins, although she has definitely earned a certain renown among music-lovers. For all the wrong reasons: the American soprano, who performed at private recitals in the early decades of the last century, before a climactic Carnegie Hall appearance a month before her death in 1944, was famous for the sheer awfulness of her voice.

Read more...

Anomalisa

Matt Wolf

"Girls just wanna have fun," or so we're told in the exuberant signature song from Cyndi Lauper making a surprise appearance midway through Anomalisa. But try telling that to the sad-eyed folk who move through Charlie Kaufman's dazzlingly sorrowful 2016 Oscar nominee, as if in a sort of hushed-voiced haze.

Read more...

The Ones Below

Nick Hasted

Home can be the most horrifying place, especially when you’re pregnant. Kate (Clemence Poesy) isn’t even sure she wants the kid that’s on the way to disrupt life with fellow arty professional Justin (Stephen Campbell Moore). That is, until a couple move in below their Islington flat, and she’s befriended by Theresa (Laura Birn), an exotically glamorous Finn evangelical about her own pregnancy, who Kate finds herself fascinated by.

Read more...

The Here After

Saskia Baron

Perhaps if you are in a sufficiently patient state, this slowburn of a Swedish art house film will suit your mood, but if fast cutting and rapid crossfire dialogue is your thing, it may be best to steer clear of The Here After. The debut feature of writer-director Magnus van Horn has done well at overseas film festivals, but may be a harder sell as a night out in a UK cinema on a chilly March evening.  

Read more...

Fifty Shades of Black

Holly O'Mahony

In case anyone hasn’t guessed from the flauntingly obvious title, Fifty Shades of Black is a parody of 2012’s favourite piece of trash lit: EL James’s Fifty Shades of Grey, which was adapted for film by director Sam Taylor-Johnson in time to underwhelm audiences on Valentine’s Day 2015.

Read more...

Hail, Caesar!

Graham Fuller

As a title, Hail, Caesar! is as delightfully self-conscious and “inside Hollywood” as The Hudsucker Proxy and O, Brother Where Are Thou? An alternative might have been It’s a Wonderful Lie.

Read more...

Time Out of Mind

Matt Wolf

Richard Gere is a quiet knockout in Time Out of Mind, the Oren Moverman film that has for some reason remained as below the radar as its invisible (to the rest of society anyway) central character. Why wasn't this performance in the Oscar mix for the seasonal gongs just gone?

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...

The Narrow Road to the Deep North, BBC One review - love, de...

Readers of Richard Flanagan’s Booker-winning novel will be familiar with its themes of war, extreme suffering, ageing, memory, fidelity and...

BBC Proms: Kholodenko, BBCNOW, Otaka review - exhilarating L...

According to the programme, Lutosławski’s Concerto for Orchestra is heard somewhere around the world every other week. In which case I’ve...