sat 01/03/2025

Film Reviews

In the Heart of the Sea

Matt Wolf

A host of pictorially arresting, even painterly images can't make a satisfying whole out of In the Heart of the Sea, Ron Howard's film that doesn't dig very deep, its penetrating title notwitstanding. Howard has always been drawn to unusual realms, whether they be the intellect in A Beautiful Mind or space in Apollo 13 but his would-be literary-historical voyage into the world of squalls at sea has too many passages that are simply wet.

Read more...

Star Wars: The Force Awakens

Nick Hasted

“It's true,” Harrison Ford’s Han Solo explains with wonder. “All of it.” The original Star Wars trilogy, its heroes and the Force have become fading folk tales for the new trilogy’s young tyros. 1977 is itself a long time ago and a galaxy far, far away and Star Wars: The Force Awakens has arrived to save a saga which has had nothing to replenish its deep reserves of generational goodwill since the decent bits of Return of the Jedi in 1983. Everyone who needs to be...

Read more...

Sisters

Veronica Lee

Tina Fey and Amy Poehler, both wonderfully talented comedic actresses in their own right (Fey best known for 30 Rock, Poehler for Parks and Recreation), first worked together on Saturday Night Live and more recently they have become known as a cheeky double act presenting awards ceremonies.

Read more...

Hector

Tom Birchenough

It would take a brave soul to mention Peter Mullan and “national treasure” in the same breath. To start with, he’d be more than clear which nation has his allegiance, and then suggest, in the gentlest possible way, that maybe he was, well, a wee bit young for any such honorifics...

Read more...

The Forbidden Room

Graham Fuller

Guy Maddin diehards will find the Winnipeg auteur’s delirious latest homage to antique cinema so mesmerizing they’ll be sorry when it ends. There are times during the 119-minute The Forbidden Room when it seems it’ll run forever, like M.C. Escher ants on a Moebius strip. But shortly after the rapid-fire montage of multiple climaxes, even the most dedicated fan must accept that it’s time to go home and bathe.

Read more...

Peggy Guggenheim: Art Addict

Marina Vaizey

The New Yorker Peggy Guggenheim (1898-1979) was the classic poor little rich girl: insecure, a woman with scores, perhaps hundreds of lovers, longing for love, the writer of tell-all memoirs. What sets her apart is that she was also the creator of one of the world’s greatest collections of modern and contemporary western art. 

Read more...

Victor Frankenstein

Demetrios Matheou

Television has been quite obsessed of late with reinterpreting horror myths, whether it’s Penny Dreadful’s gothic melange of vampires, werewolves and man-made monsters, Jekyll & Hyde, or The Frankenstein Chronicles, with Sean Bean currently playing a Victorian plod in pursuit of an evil, child-snatching surgeon.

Read more...

Sunset Song

David Kettle

There’s been a hugely protracted production history behind Sunset Song. Terence Davies first mooted a screen adaptation of Lewis Grassic Gibbon’s 1932 novel of northern Scottish farming folk way back in 2000, soon after the success of his Edith Wharton pic The House of Mirth.

Read more...

The Lesson

Tom Birchenough

Young Bulgarian writer-directors Kristina Grozeva and Petar Valchanov have made a tight, bleak, suspenseful drama in The Lesson (Urok), driven by a commanding, unforgiving performance from actress Margita Gosheva who leads the film.

Read more...

Christmas with the Coopers

Adam Sweeting

We can keep blaming Frank Capra for the lingering notion that Yuletide has magical powers which can turn Scrooges into yo-ho-hoing Santas and convert blood-spattered family feuds into tearful hug-ins by a roaring log fire. To prove it, this would-be seasonal sackful of joy from director Jessie Nelson doesn't shrink from quoting It's a Wonderful Life, both visually and verbally. It's more like an SOS than a homage, though.

Read more...

Goya: Visions of Flesh and Blood

Marina Vaizey

"Exhibition on Screen" is a logical extension of the recent phenomenon of screenings of live performances of opera and theatre. Initiated with the Leonardo exhibition of 2012 at London’s National Gallery, this is its third season, and the format remains unchanged: a specific show provides the pretext for a bespoke film that goes beyond the gallery walls.

Read more...

Bridge of Spies

Jasper Rees

Nostalgia for the good old days of mutually assured destruction? You’d have got long odds on such a thing on 9 November 1989, the day the Berlin Wall was breached. A quarter of a century on, the Americans and the Russians are entangled in a whole other theatre of war in which the idea of negotiating with the enemy is unthinkable. The Soviets may have been abominable commie bastards but, hey, our guys could still clink a glass with them. So Steven Spielberg is able to visit the Cold War in...

Read more...

Black Mass

Adam Sweeting

The city of Boston has been creeping up the charts as a hotbed of cinematic criminality in the last decade. First came Martin Scorsese's Oscar-scooping epic The Departed, then Ben Affleck chipped in with The Town, both movies driven by their portrayal of tightly-knit groups of characters immovably rooted in their native Bostonian soil.

Read more...

Carol

Demetrios Matheou

New York, in the early 1950s. Twenty-something Therese Belivet is working in a Manhattan department store at Christmas, wearing a Santa hat and dutifully trying to overcome her boredom. Then Carol Aird strides into view – classy, confident, patrician Carol, archly eyeing the shop girl and nonchalantly buying the most expensive toy on offer, before leaving her gloves on the counter behind her. Therese’s life is about to change dramatically.

Read more...

My Skinny Sister

David Kettle

First-time writer/director Sanna Lenken’s touching anorexia drama is such a heartfelt, fragile thing that it feels churlish to criticise it. Herself a former eating-disorder sufferer, Lenken brings a real warmth and sincerity to her portrait of an ordinary Swedish family rapidly unravelling when their elder daughter seems unable to overcome the horrible physical effects of her aching self-doubt.

Read more...

The Dressmaker

Matt Wolf

What begins as a would-be exercise in camp devolves into perfervid tosh and ultimately tedium in The Dressmaker, a belligerently over-the-top revenge drama that might just about have squeaked by as an opera - an art form better-suited to such deliberately over-the-top theatrics.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Architects - The Sky, The Earth & All Between

Brighton metallers Architects have weathered various tribulations in their almost 20-year career. Formed by twins Dan and Tom Searle, after...

Jopy/Lemonsuckr/King of May, Green Door Store, Brighton revi...

There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in...

Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review...

A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish...

Bergerac, U&Drama review - the Jersey 'tec is born...

They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became...

A Knock on the Roof, Royal Court review - poignant account o...

The war in Gaza has been going since 7 October 2023  that’s about 15 months. But it’s strangely absent from British stages...

The Last Showgirl review - Pamela Anderson stars as a middle...

Shelly (Pamela Anderson) is a dancer. She’s been with Le Razzle Dazzle, an outdated Las Vegas show that’s full of “breasts, rhinestones and joy”,...

The Score, Theatre Royal Haymarket review - curious beast of...

Why is it so hard to write a decent play about Bach? Maybe, in part, because there are no words...

Album: Abel Selaocoe - Hymns of Bantu

The musician Abel Selaocoe reaches out to the ancestors, African and European, continuing a journey that spans continents and centuries, an...

The Ferryman, Gaiety Theatre, Dublin review - Jez Butterwort...

Dublin theatregoers have been inundated with Irish family gatherings concealing secrets or half-buried sorrows, mixing “bog gothic” with very real...