Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

DVD: Beware of Mr. Baker

Portrait of a human so grotesque that even Hogarth couldn’t have conjured him up

share this article

Mr. Baker (left) with director Jay Bulger

Few real-life subjects of a film would allow themselves to be seen in the way Ginger Baker is in Beware of Mr. Baker. He’s violent, bullying, self obsessed, a control freak, irresponsible, sexist, foul-mouthed and harbours decades-long grudges. Since he doesn't appear to be ill, it's difficult to ascribe his behaviour to forces beyond his control. He does, though, love animals and is a legendary drummer. So that’s all right then. Not only is Beware of Mr. Baker a testament to director Jay Bulger’s tenacity, it’s a portrait of a human so grotesque that even William Hogarth couldn’t have conjured him up.

It is, of course, in Baker’s interest to propagate his persona, a manifestation gone into at length in his 2010 autbiography Hellraiser. It’s all he’s got these days. Despite the reunion, Cream are long gone. So are his pioneering forays into the music of West Africa. The Baker in Beware of Mr. Baker is reluctant to drum and, within his gated South African property with its stables, apparently penniless. He gripes about songwriting royalties, his former Cream bandmate Jack Bruce and virtually everything else. Numerous talking heads are seen, some relevant, some pointless (the drummer from Rush?). John Lydon appears, yet the fact that he brought Baker into Public Image Ltd isn't mentioned. Eric Clapton recounts that Baker bulldozed his way into his post-Cream outfit Blind Faith, and found it impossible to say he wasn’t wanted in the new band. Baker even terrorised those he was collaborating with. His son’s testimony is utterly depressing.

Beware of Mr. Baker takes time to bed in. The animated sequences are initially irritating and distracting, but soon bind with the whole. It also takes a while to get used to Baker, a man who has spent the majority of his adult life being a monster – given license to be so by being repeatedly allowed to behave as he wished. It worked, so he continued doing it. With its freak show allure, Beware of Mr. Baker enthrals. The only extra on the DVD is the film’s trailer.

Visit Kieron Tyler’s blog 

Watch Ginger Baker and director Jay Bulger discussing Beware of Mr. Baker

 

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Baker even terrorised those he was collaborating with

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more film

The pioneering journalist E Jean Carroll's story is heartening, funny and troubling
A surprise Thai hit combines deadpan-dry humour with sharp-toothed social commentary
School shootings and social media alienation queasily satirised
Enthralling and witty political drama from 1960s East Germany
Matt Damon stars in Christopher Nolan's IMAX-sized recreation of Homer's epic poem
Dip your toes into these Homeric movies before Christopher Nolan’s 'The Odyssey' ties us to its mast
A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary
David Vann's acclaimed novella transposed to the screen with mixed results