FRIDAY 24 JULY, by Guy OddyEven for a festival whose whole purpose is to platform a rich range of artists from cultures all around the world, WOMAD 2026 is seriously on top of its game for a new start at a new venue deep in the heart of rural Wiltshire. The 2000-acre Neston Park, created in the 1790s, proved a beautiful setting that mirrored the excellent acts and fine weather. It's certainly no Womud and sunscreen is at something of a premium during long summer days. Image Similarly, the food on offer is consistently off-the-hook and the Read more ...

We’ve said it before but it bears repeating. The globalisation of music culture, from ultra mainstream to underground, in the past decade has been a bigger revolution, affecting more people, than punk or acid house ever were. Case in point is the rise of South African dance music, in particular the slow and sensuous amapiano sound which exploded worldwide in 2020 as millions stuck inside in COVID lockdown simultaneously discovered its mood-lifting properties via online DJ sets. It got adopted by stars from Beyoncé and Drake down, created huge DJ careers, and has generated one bona fide Read more ...

If, like me, you’re not a dedicated jazz listener, sometimes when you dip back in even the most straightforward playing can take your breath away. Go to a small jazz club in any city in any given week, and chances are you can find some unassuming musicians, from music students to over-70s who’ve been doing it their entire lives long, doing superhuman things. They might not be breaking any boundaries or going stir crazy, but however familiar or simple the material they’re jamming on might be, the feats of memory, dexterity and borderline telepathic interlocking with one another can be as far Read more ...

What new light can the age-old legend of Faust selling his soul to the devil shed on colonialism in Africa, slavery, the rape and destruction of the natural world, the exploitation and murder of the continent’s people? It’s a question you may well still be asking yourself after experiencing the visually spectacular but thematically opaque Faustus in Africa! from Cape Town-based Handspring Puppet Company and director/designer William Kentridge.There’s a lot to admire in the show, which arrives at the Edinburgh International Festival in a reworking of the company’s original 1995 production – Read more ...

With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film about African-American writer James Baldwin and the Civil Rights Movement not only put the Haitian-born Peck on the map as a director, but also made him one of the defining figures of contemporary black cinema.Since his debut Haitian Corner (1990), Peck has devoted himself to political topics, switching effortlessly between documentary or feature films to achieve a stronger factual or emotional impact. His work, he says, only serves one purpose: "I need to find a narrative, something that lasts and Read more ...

Most Brits don’t know much about South Africa today, but we do know about house values, so this new comedy by South African playwright and screenwriter Amy Jephta is comprehensible – even in its incoherent moments (of which there are several). Grabbing the chance to expand this venue’s horizons internationally, David Byrne – Royal Court artistic director – has chosen A Good House, billed as an “explosive exploration of race, resentment and community politics”.Marketing hype aside, this 100-minute single-act drama was originally commissioned as a co-production with the Fugard Read more ...

Rooted in South African electronic styles such as kwaito, amapiano and gqom, the music of Moonchild Sanelly also shows a rich in awareness of US and European hip hop and pop.Initially a product of Durban’s poetry scene, Sanelly, born Sanelisiwe Twisha, spent years building a reputation there and in Johannesburg, before coming to wider attention when Beyoncé featured her on her Lion King soundtrack. She signed to the forward-thinking Transgressive label in 2020, and her second album for them, her third in total, bounces with her trademark sex-positivity and booty-shaking beats’n’bass.There are Read more ...

I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.Things were kickstarted with a retrospective of Barbara Kruger (Serpentine Gallery) who uses words and images to illuminate the way language is (mis)used to cajole, bully, manipulate and lie. Having explored similar territory for 50 some years, you’d have thought the American artist would have run out of ideas. Not a bit of it. Dominating the central space was a huge screen showing Untitled (No Comment) (main picture) which explores the Orwellian soup of Read more ...

“The street I grew up in had no name and is in a country that no longer exists,” director Milisuthando Bongela begins her meditation about growing up in Transkei, a semi-fictional black nation which helped facilitate apartheid yet felt like a utopia.Bongela splices forgotten archives of polished propaganda, raw videotaped reality and painful conversation to understand her own racial reality, and how colonial scars can be complimentary yet invisible for black and white South Africans today. White hands are shown etching borders and conjuring flags, stamps and anthems as Bantustan “homelands” Read more ...

“Bold, ambitious, and good for the sector.” So said Charlotte Moore, the BBC chief content officer, who currently earns £468,000, in March last year as she defended plans to close the BBC Singers as part of a package of swingeing musical cuts masked – as usual – as a high-principled strategic rethink.Well, what a difference a year, or rather 18 months, makes. Last night, the world’s first permanent radio choir celebrated its centenary – the “Wireless Choir” began to broadcast from Savoy Hill on 2 October 1924 – at a packed Barbican Hall. It greeted the great survivors’ arrival with the Read more ...

Born in Cape Town in 1948, Gavin Jantjes grew up under apartheid. He openly criticised the regime in his work and, forced into exile, was granted political asylum in Germany in 1973.Nearly 10 years later he moved to England and his Whitechapel retrospective begins with work from those early years of exile. School Days and Nights, 1978 (pictured below right) was painted in response to the Soweto uprising, when black schoolchildren held a rally in protest against the imposition of the Afrikaans language in schools. The police opened fire on the children sparking an uprising that lasted eight Read more ...

The Bull And The Lion was originally released in 1976 by Jo'burg, a South African label which opened-up for business in 1973 with a couple of singles and the first album by black singer Margaret Singana. Her debut LP was titled Lady Africa. The same year, the imprint issued the second single by Rabbitt, a white pop-rock band whose guitarist Trevor Rabin became internationally known when he played with Manfred Mann and then joined Yes.Jo'burg, it seems, was not bound by genre limitations and the strictures of working within Apartheid-era South Africa. After 1973, Singana and Rabbitt remained Read more ...