Classical Reviews
Coote, BBCSO, Saraste, Barbican HallThursday, 04 October 2012
Somehow the manic cry of “Scooby-Doo man!” from the back of the stalls didn’t seem too incongruous. We were in the thick of Shostakovich’s craziest symphony, the Fourth, composed in the mid 1930s when such maverick Russian talent was about to be stamped on and potentially quite a sledgehammer of a season opener for the BBC Symphony Orchestra. Read more... |
Fretwork/Hilliard Ensemble, Wigmore HallWednesday, 03 October 2012
“For if their musicke please in earthly things/How would it sound if strung with heavenly strings?” Listening to viol consort Fretwork last night, the audience at the Wigmore Hall didn’t have to imagine the answer to Gibbons’ question. Listening to the vitality and variety of tone colour this group so reliably produce, it’s hard to remember that this is ear(th)ly music – hardly the wan and consumptive sound so many people still stubbornly associate with viols. Read more... |
Hahn, BBC Philharmonic, Mena, Bridgewater Hall, ManchesterMonday, 01 October 2012
Wagner was not averse to highlights being plucked from the mighty Ring, even though it is an all-encompassing drive-through drama. Perhaps it’s as well, since the bicentenary celebrations of his birth are getting up steam and concert planners are at pains to pull out a few plums. After all, we can’t wallow in the whole of the cycle all of the time. Read more... |
Northern Sinfonia, Zehetmair, The Sage GatesheadSunday, 30 September 2012
Sting, Debbie Harry, the Pet Shop Boys, Brahms, Mozart, Schumann. This is the kind of thing an average year throws up for the Gateshead-based Northern Sinfonia. Their visits to London are mostly to provide a backing track for the top pop acts. Which is not only perverse but verging on the criminal. Read more... |
London Philharmonic Orchestra, Jurowski, Royal Festival HallSunday, 30 September 2012
What, another review of an LPO/Jurowski concert in less than a week? Reasoning the need, it only has to be said that other orchestras may kick off their seasons by mixing the unfamiliar with core repertoire, but none would dare launch with not one but two programmes featuring this only-connect kind of singularity (and more to come in the “War and Peace” series next week). Read more... |
Classical CDs Weekly: Frank Bridge, Benjamin Grosvenor, TchaikovskySaturday, 29 September 2012
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London Philharmonic Orchestra, Jurowski, Royal Festival HallThursday, 27 September 2012
Dissatisfied housewives who eventually stand by their men joined jewelled hands in a divine evening of operatic decadence. Suppressed Bianca all but steps over the body of her strangled lover to get at the muscles of her killer husband in Zemlinsky’s A Florentine Tragedy, taking its cue from the deep purple imagery of Oscar Wilde’s story. Read more... |
Stewart Lee presents John Cage's Indeterminacy, Cafe OTOWednesday, 26 September 2012
John Cage is funny: this much we know. The deadpan prankster at the heart of 20th-century artistic experimentalism was always about the inadvertent punchline, the chuckle that comes from unexpected disjunction, the relief that comes from reminders of the absurdity of reality, as much as he was ever about any engagement with progress, technology, the transcendent. Read more... |
Jansen, London Symphony Orchestra, Gergiev, BarbicanSunday, 23 September 2012
Janine Jansen had every right to be nervous. The last time most of us saw the London Symphony Orchestra the audience spent the whole time laughing at their star soloist. But then Mr Bean has a very different skill set to Jansen. She's able to journey with silken smoothness across the musical stratosphere for what seems like eternity. He's able to blow his nose while playing the piano with the end of an umbrella. Read more... |
Henry, RLPO, Petrenko, Philharmonic Hall, LiverpoolSaturday, 22 September 2012
The prospect of a new concerto from a largely unknown composer who, it’s safe to say, had never been performed previously in Liverpool may have seemed a little daunting. By the end of the 22-minute world premiere, however, rapturous applause greeted this approachable, tuneful, understated and, above all, gentle work. This was so much the case that it will no doubt be heard again soon. Read more... |
Frank Bridge: Orchestral Works BBC National Orchestra of Wales/Richard Hickox (Chandos)Pages
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