Classical Reviews
BBC Proms: Lazić, Budapest Festival Orchestra, Fischer/ Audience Choice PromSaturday, 03 September 2011
"Don't expect polish," announced Ivan Fischer apologetically. "Things vill go rrrong. We may start pieces again." The tuba had been turned into a tombola. The percussionists were playing their buttocks. Someone else was blowing a Hungarian didgeridoo. A certain amount of madness was expected from the second Prom, an experimental Audience Choice concert. But the Mahler One of the first Prom? Who knew that that would be equally if not even more outrageous. Read more...
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Damrau, De Maistre, Queen's Hall/ Aimard, Bamberg SO, Nott, Usher Hall, EdinburghSaturday, 03 September 2011
What do visiting German performers add to the Edinburgh International Festival's Auld (Scotland-France) Alliance thread? Simple: when they communicate as superbly as soprano Diana Damrau and Jonathan Nott's Bambergers, the music-making works at the highest level. Read more... |
Classical CDs Weekly: Brahms, Desyatnikov, Glière, TchaikovskyFriday, 02 September 2011
We head east this week - new pieces by a contemporary Russian composer, and a bargain box set showcasing the flamboyant orchestral music of a neglected Russian. And a famous viola player leads a young Moscow orchestra in electrifying accounts of Brahms and Tchaikovsky. Read more... |
BBC Proms: Shaham, Israel Philharmonic Orchestra, MehtaFriday, 02 September 2011
Police. Placards. Protests. And bag checks. It meant only one thing. Jews were performing at the Proms. Here we were in the Royal Albert Hall in London in 2011 witnessing a stage of musicians being barracked and abused for having the gall to be Jewish. Last year, four more Jewish musicians, the Jerusalem Quartet, had the cheek to perform and broadcast a recital at the Wigmore Hall. They were again heckled and hounded off air. Read more... |
BBC Proms: Ma, BBCSO, RobertsonWednesday, 31 August 2011
Over the past six weeks of the Proms the BBC’s hard-working Symphony Orchestra has performed everything from Britten to Brahms, Verdi to Volans. Their Mahler with Ed Gardner was an operatic epic, their... Read more... |
BBC Proms: Fray, Netherlands Radio Philharmonic Orchestra, Van ZwedenWednesday, 31 August 2011
David Fray certainly has the locks to be a piano virtuoso (eat your heart out, Franzi). And he has the looks, the troubled brow, the pallor and a suitably eccentric manner (the Glenn Gould hunch and hum came out for all the runs). But does he have the hands? Read more... |
BBC Proms: Hooray for Hollywood, John Wilson Orchestra, WilsonMonday, 29 August 2011
Hooray for Hollywood! The title of last night's Prom didn't officially have an exclamation mark. But if any concert deserved a screamer, it was this one. A delirious mutual enthusiasm pinged back and forth from stage to audience all night as the slick John Wilson Orchestra and its eponymous chief (with excellent vocal support) romped through the highways and byways of the golden age of the American musical. Read more... |
BBC Proms: Elijah, Gabrieli Consort & Players, McCreeshMonday, 29 August 2011
Mendelssohn loved looking back. And nowhere more so than in his blockbuster oratorio, Elijah. But what was most striking about last night's monumental performance at the Proms was how much he was also clearly looking forward and outward, and how feeble an appellation oratorio seemed to be for what we were witnessing. We were being bombarded with pre-echoes of the adventure-laden Hollywood epics of the 1950s. Read more... |
BBC Proms: BBC Singers, Sinfonye, Hollingworth, Wishart, Cadogan HallSaturday, 27 August 2011
Twelfth-century abbess, healer and mystic Hildegard of Bingen had no formal musical training. Perhaps because of this her music – exquisite arabesques of chant melody, animated by the conviction of her religious beliefs – creates a language all its own, a “swaying bridge between heaven and earth”, as she characterised it. Read more... |
BBC Proms: Graham, Gustav Mahler Jugendorchester, DavisThursday, 25 August 2011
The spectacle of an orchestra named after Mahler playing Stravinsky irresistibly calls to mind Stravinsky’s report of a performance of the Eighth Symphony in Zurich in 1913. “Imagine”, he wrote to Maurice Delage, “that for two hours you are made to understand that two times two makes four.” Oddly enough, repetition is the lifeblood of Stravinsky’s own music, though he rarely makes two times two equal four, and his symphonies don’t last two hours (nor, incidentally, do Mahler’s). Read more... |
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