mon 29/04/2024

Classical Reviews

Classical CDs Weekly: Górecki, Haydn, Shostakovich, Second Viennese School

graham Rickson Second Viennese School quartets: 'Music which can curdle milk, so make sure the fridge door is closed'

It’s string-quartet Saturday – a young German group tackle Soviet classics and a rejuvenated Russian quartet smile with Haydn. There’s music from a contemporary Polish master and exquisitely uncomfortable fin-de-siècle music from Vienna.

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London Schools Symphony Orchestra, Segerstam, Barbican Hall

David Nice

With regional youth orchestras dropping from a thousand short-sighted, wholesale cuts - flagship Leicestershire the latest under threat - it should be enough just to celebrate 60 seasons of the LSSO, safe for now under the City of London's munificent wing. But last night was more than just another fun concert.

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Alexander Melnikov, Wigmore Hall

Ismene Brown

How important is it to hear “the composer’s intentions” at a concert? Maybe only the interpreter’s intentions are possible. The young Russian pianist Alexander Melnikov challenges the golden rule of faithfulness to source with the resources of today’s piano - not the ropey old Soviet thing Shostakovich would have had, or the limited piano Schubert would have known, and last night at the Wigmore Hall delivered an ear-opener of a recital all about modern pianism at its most fascinating and...

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Rites: 3D, CBSO, Volkov, Royal Festival Hall

Ismene Brown Mach 2: The virtual Julia Mach, generated in a 3D computer digital space to Stravinsky's 'Rite of Spring'

Were the great Diaghilev alive today, surely he’d be working in the imaginative possibilities of electronic technology - this was the opinion given me by the arts panjandrum, the late Sir John Drummond. And given the developments of 3D, who knows? Would it be this manipulation of our perceptions that fascinated him? 3D is certainly everywhere in dance now, though the challenge is to leap the judgment of it as merely a gimmick. I reckon while Wim Wenders’ film Pina 3D achieved...

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Classical CDs Weekly: Haydn, Gershwin, Ciccolini, Sheherazade

graham Rickson Riccardo Chailly's 'Gershwin': Fun music that can take a bit of stretching

Today we’ve Easter-themed music from Haydn and a rare chance to hear some delectable Grieg played by an old master. A kitsch Russian classic is given a new slant, and two Italians have serious fun with Gershwin.

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Cage 99, St George's Bristol

mark Kidel John Cage, patron saint of silence and noise

John Cage, the focus of an adventurous three-day mini-festival in Bristol, is possibly one of the most influential figures in 20th-century culture. As much a practical philosopher as a composer of note, he made artists, writers and musicians think about the nature of chance, our place in nature and the role of the subject in the creative process.

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Classical CDs Weekly: Berg, Bruckner, Spoliansky

graham Rickson 'Music of Tribute: Alban Berg': 'Serious, rewarding music for serious times'

This weekend's classical highlights comprise an eloquent tribute to a 20th-century master, entertaining cabaret songs from Weimar-era Berlin and some sublime Bruckner choral music recorded by an Edinburgh choir.

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London Sinfonietta, Atherton, Queen Elizabeth Hall

Igor Toronyi-Lalic

The most interesting thing about Louis Andriessen's musical snapshot of the famous eroticist Anaïs Nin - being given its UK premiere at the Queen Elizabeth Hall last night - was that the scene on the chaise longue in which Nin (Cristina Zavalloni) simulates riding her father was nowhere near the most unsettling episode.

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Miloš Karadaglić, LPO Foyle Future Firsts, 100 Club

David Nice

Bear with me while, like supergroomed rising star Miloš Karadaglić retuning his guitar to a mellower vein, I adjust my concert-hall vocab and describe this as a no-gimmicks sell-out gig underground with young musicians from the London Philharmonic’s Foyle Future Firsts scheme presenting two varied sets and Karadaglić headlining. And now I’ll just revert to old habits and declare the meat to be a slice of Classicism chromatically spiced (Mozart) and a 20th-century maverick pushing Neo-Baroque...

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Mahler Cycle, Philharmonia, Maazel, Bridgewater Hall, Manchester

philip Radcliffe

However, to begin at the beginning – the First Symphony in D major, first performed in 1889 in Budapest, with the composer conducting. There’s a lot to be said for giving Manchester its scoop (naturally, we don’t regard it as a dress rehearsal for the Royal Festival Hall performance tonight). In any case, Manchester had its big Mahler feast last year, when the Halle and the BBC Philharmonic joined forces to celebrate the 150th anniversary of his birth.

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